Still Life
Jia Zhangke’s 2006 masterpiece on a changing China finally reaches America
Jenny Nulf
151-180 of 206 entries
Movie Review, Sept. 25, 2020
Stuntwomen: The Untold Hollywood Story
The trailblazers fighting sexism and gravity in the film industry
Movie Review, Sept. 18, 2020
Vinyl Nation
Reports of death of physical media have been greatly exaggerated
Movie Review, Sept. 11, 2020
Mr. Soul!
Putting spotlight on the TV host who brought Black celebrities into white homes
Movie Review, Aug. 28, 2020
Questioning How We Embrace Mortality in She Dies Tomorrow
Director Amy Seimetz new film is death positive
Screens, July 30, 2020
Yourself and Yours
Korean master Hong Sang-soo's understated dissection of how men only see women as they want
Movie Review, June 26, 2020
SXSW Selection The Toll Keeps Rolling
As special screenings are added, we talk to the filmmakers
Screens, March 12, 2020
Swallow
Pregnancy horror reclaimed as a woman’s issue
Movie Review, March 13, 2020
Ending the Gender Divide Behind the Camera
Austin’s chapter of Women in Film and Television International is creating equity and opportunity
Screens, Feb. 20, 2020
The J-Pop Story Behind Takashi Miike's First Love
How the Japanese director never meant to become a genre master
Screens, Feb. 14, 2020
Dinner and a Movie With Crazy Rich Asians
New collaboration between Asian grocery chain and cineastes mixes food and film
Screens, Jan. 30, 2020
AFS Cinema Presents Two Asian Film Classics for the Holidays
In single takes, Yi Yi and Tokyo Story explore the true meaning of family
Screens, Dec. 27, 2019
Upstairs, Downstairs: The Metaphors of Parasite
Bong Joon-ho on his obsession with stairs, Psycho, and how we eat
Screens, Oct. 31, 2019
Review: The Truth
Shoplifters director's bilingual experiment is a tepid success
Screens, Oct. 30, 2019
Upstairs, Downstairs: The Visual Metaphors of Parasite
Bong Joon-ho talks stairs, smells, and Psycho
Screens, Oct. 30, 2019
A Room Full of Nothing Is a Farewell Note to Austin's Art Scene
Breaking up in the apocalypse at the Austin Film Festival
Screens, Oct. 24, 2019
Midnight Traveler
What it's really like to be a refugee fleeing the Taliban
Movie Review, Oct. 11, 2019
First Love
Japanese master Takashi Miike at his quirkiest and most romantic
Movie Review, Oct. 4, 2019
Review: Parasite
Upstairs, downstairs gets a darker meaning in Korean masterpiece
Screens, Sept. 30, 2019
Review: The Pool
A man, a woman, and a crocodile add up to hilarious carnage
Screens, Sept. 23, 2019
Review: The Other Lamb
Cult drama's inevitable twists may not convert you
Screens, Sept. 23, 2019
Review: Vivarium
Suburban weirdness never quite keeps up with the Joneses
Screens, Sept. 21, 2019
Review: First Love
Takashi Miike's bloody romance is all beating heart
Screens, Sept. 21, 2019
Fast Color Is the Superhero Movie We Really Need
Actor Gugu Mbatha-Raw is a beacon to behold
Screens, Sept. 19, 2019
Death, Grief, and Buddhism in Fantastic Fest’s The Long Walk
Laotian cinema pioneer Mattie Do's patiently ponderous tale
Screens, Sept. 19, 2019
The Curse of La Llorona
Latest Conjuring spin-off is a pale imitation of James Wan's original
Movie Review, April 19, 2019
The Wind
Madness and jealousy on the American Great Plains
Movie Review, April 5, 2019
Film Review: Midnight Shorts
The best of the fest's late night micro-horrors
SXSW, March 20, 2019
Film Review: The Curse of La Llorona
An overdose of jump scares in this latest Conjuring spin-off
SXSW, March 16, 2019
Film Review: Little Monsters
With these monsters and Us, Lupita Nyong’o is SXSW 2019’s horror icon
