The Gentrification V seven-inch hit last week, but Austin experimentalists are focusing on a balanced existence instead of rushing anticipated third LP
by Julian Towers
A spring music ecosystem news roundup with all those familiar players: the Austin Music Census, Live Music Fund, and HAAM
by Rachel Rascoe
A. Sinclair, Quin NFN, Denis O’Donnell, Alexalone, and more sounds worth your time
Doug Freeman • May 27 issue
A Joe Bataan/Grupo Fantasma collab, Strand of Oaks, Christelle Bofale, a few festivals, and more recommended live shows
Raoul Hernandez • May 27 issue
Weekly shows are free but capacity is limited
Ali Juell • May 25, 2022
Why did I fly 1,500 miles to see Liverpool’s sixth best act?
Raoul Hernandez • May 25, 2022
Life-altering and deep-listening scenes from the oldest music festival in Texas
Hank Erwin, May 20 issue
A three-song behemoth from Central Texas death metal unit debut on Profound Lore
Raoul Hernandez, May 20 issue
Gus Baldwin & the Sketch, High Desert Queen, No Limit reunion, Beto y los Fairlanes, and more recommendations
Kevin Curtin, May 20 issue
Scrappy South Austin venue is building a major presence in the city’s live music ecosystem
Chad Swiatecki, May 13 issue
Girl Ultra, Nori with strings, Maxo Kream, Mudhoney, Little Mazarn, and more recommended shows
Christina Garcia, May 13 issue
Deezie Brown, El Combo Oscuro, Ifé Neuro, Don Leady, Lizzy Lehman, and more locals worth a listen
Clara Wang, May 13 issue
Translating the scrolls at Austin’s most interesting festival of the year
Kevin Curtin, May 6 issue
Texas-raised avant-garde composer drones eternal at Oblivion Access
Raoul Hernandez, May 6 issue
