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Screens Reviews 10,395 results
The Upside
Remake of a true story of an unlikely friendship is the flattest version yet
Marjorie Baumgarten, Review, Jan. 17, 2019
Replicas
What hath science wrought? A dull cloning thriller, that's what.
Richard Whittaker, Review, Jan. 17, 2019
A Dog’s Way Home
They're all good doggo adventures, Brent
Steve Davis, Review, Jan. 17, 2019
Glass
M. Night Shyamalan's meta-comic trilogy crashes into Earth with a dull splat
Marc Savlov, Review, Jan. 17, 2019
Destroyer
Nicole Kidman's grimy noir mistakes grit for intrigue
Steve Davis, Review, Jan. 10, 2019
Dragon Ball Super: Broly
The unstoppable anime franchise lumbers on for the fans
Richard Whittaker, Review, Jan. 10, 2019
Modest Heroes: Ponoc Short Films Theatre, Volume 1
Three short films from Japan's newest major animation studio
Richard Whittaker, Review, Jan. 10, 2019
Tejano
Stone-cold thriller across the Mexican border
Danielle White, Review, Jan. 10, 2019
Second Act
Lean In meets The Secret of My Success in workplace rom-com
Marc Savlov, Review, Jan. 3, 2019
Shoplifters
The meaning of family on Japan's social fringes compassionately explored
Richard Whittaker, Review, Jan. 3, 2019
On the Basis of Sex
RBG biopic focuses on a single case, but blurs the details
Danielle White, Review, Jan. 3, 2019
Holmes & Watson
The Step Brothers bros get literary
Marc Savlov, Review, Dec. 27, 2018
A Bread Factory, Part One
Part one of Patrick Wang's epic satire of small-town art life
Josh Kupecki, Review, Dec. 27, 2018
A Bread Factory, Part Two
Part two of Patrick Wang's esoteric examination of art in Upstate New York
Josh Kupecki, Review, Dec. 27, 2018
Aquaman
The underwater superhero brings long-awaited color to DC's films
Matthew Monagle, Review, Dec. 20, 2018
The Mule
Clint Eastwood enters the drug war in an unexpected role
Josh Kupecki, Review, Dec. 20, 2018
Vice
Unsubtle Dick Cheney bio-pic is the political bludgeon we deserve
Kimberley Jones, Review, Dec. 20, 2018
Ben Is Back
The opioid crisis invades a family Christmas in this timely drama
Danielle White, Review, Dec. 20, 2018
Bumblebee
Transformers spin-off is (checks notes) wait ... good?
Marc Savlov, Review, Dec. 20, 2018
If Beale Street Could Talk
Moonlight director Barry Jenkins adapts Baldwin's tale of love and racism
Richard Whittaker, Review, Dec. 20, 2018
Mary Poppins Returns
The perfect nanny returns, the same as last time
Steve Davis, Review, Dec. 20, 2018
Welcome to Marwen
Outsider artist's harrowing true story gets a misguided Hollywood sheen
Richard Whittaker, Review, Dec. 20, 2018
People’s Republic of Desire
China's terrifying social media dystopia makes new media slaves
Kimberley Jones, Review, Dec. 13, 2018
Tea With the Dames
Share a cuppa with the great British ladies of the screen
Steve Davis, Review, Dec. 13, 2018
Vox Lux
Pop star drama is all off-key
Danielle White, Review, Dec. 13, 2018
The House That Jack Built
Lars von Trier, back pushing buttons, to little response
Josh Kupecki, Review, Dec. 13, 2018
Spider-Man: Into the Spider-Verse
Your friendly neighborhood web-head goes beyond Peter Parker
Richard Whittaker, Review, Dec. 13, 2018
Mary Queen of Scots
Period drama has no sense of history
Richard Whittaker, Review, Dec. 13, 2018
Mortal Engines
Dystopian YA adaptation relies on spectacle over character
Matthew Monagle, Review, Dec. 13, 2018
Never-Ending Man: Hayao Miyazaki
Behind the scenes as the Studio Ghibli mastermind returns to film
Marc Savlov, Review, Dec. 13, 2018
Once Upon a Deadpool
Deadpool is back ... and he brought Fred Savage with him
Richard Whittaker, Review, Dec. 13, 2018
Mowgli: Legend of the Jungle
Latest update of Kipling's classic is caught in Disney's shadow
Richard Whittaker, Review, Dec. 6, 2018
At Eternity’s Gate
Transcendent examination of van Gogh through his own eyes
Marjorie Baumgarten, Review, Dec. 6, 2018
Back Roads
Dark family drama works, but was better as a book
Matthew Monagle, Review, Dec. 6, 2018
Becoming Astrid
Pippi Longstocking creator's life story isn't for kids
Josh Kupecki, Review, Dec. 6, 2018
Chef Flynn
New York's young culinary genius is an enfant adorable
Steve Davis, Review, Dec. 6, 2018
Roma
Alfonso Cuarón bleakly romanticizes his childhood maid
Josh Kupecki, Review, Dec. 6, 2018
The Possession of Hannah Grace
Diabolical horror in the morgue is DOA
Matthew Monagle, Review, Dec. 6, 2018
The Favourite
Period drama puts power and personality first
Richard Whittaker, Review, Nov. 29, 2018
Anna and the Apocalypse
Scottish zombie musical is your new Christmas playlist
