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From the director of Shopgirl comes this despairing and barely mediocre rom-com starring Amy Adams.

Vince Vaughn and Jon Favreau prove they are no longer swingers, but since this film is the only new national release this week, it's sure to be "money."

From the writer and director of Saw 4-6 comes this horror film about a handyman who tries to rob his employers' home but finds it rigged with a lethal maze.

Profligate spending may be out of step with the times, but don't short-sell the comic charms of Isla Fisher.

A Baltimore-set romantic comedy roundelay based on a bestselling self-help book.

Steven Soderbergh’s filmmaking legacy is his aesthetic daring, and his latest – as massive and imperfect as it is – just might be his most daring work to date.

Dane Cook stars in this rom-com about a serial womanizer who accidentally falls in love with his best friend’s girl.

We're running out of genres to spoof: This time it's disaster movies.

This documentary follows six horse trainers and their experiences on the 2006 trail to the Kentucky Derby.

The working title says it all: Not Another Scary Epic Teen Date Movie.

This American horror remake of Takashi Miike's eponymous Japanese original is a dud.

This movie about the Mountain Meadows Massacre of Sept. 11, 1857, during which local Mormons murdered 120 members of a wagon train heading West, reeks of ulterior motives.

Not reviewed at press time. This madcap Bollywood comedy stars Khan as a "date doctor" and his real-life best bud Govinda, who needs a little help from the doc.

Professional gadfly Michael Moore alights on the topic of the shortcomings of the American health-care system, and crafts his most widely accessible film to date.

Although in many ways a characteristically perverse Paul Verhoeven spectacle, this Dutch World War II resistance story is more morally shaded as well as handsomely mounted and suspenseful.

Joel Schumacher and Jim Carrey combine their dubious talents to create an even more dubious movie in which a man becomes obsessed with the number 23.

The filmmakers are completely tone-deaf when it comes to the art of film parody, and their special form of sadism-as-punch-line leaves the audience in a perpetual cringe.

An archetypal date movie with a good heart, Catch and Release is the lightweight story of a widow (Jennifer Garner) who discovers that you never really know a person.

Turistas is a surprisingly effective horror film with good acting and some breathless action.

It’s an honest, refreshing comedy about love – gay, straight, or both – and is a date movie for all occasions and persuasions.

Munich is dense, thoughtful filmmaking that nonetheless flies along: Seething not only with multilayered, subtextual arguments, it’s also a heck of a thriller.

Some techniques may help the poz person work around the atmosphere of secrecy and pain that uninformed or narrow-minded people create

With this disturbing story about the lingering affects of child sexual abuse, Gregg Araki creates a film that is psychologically rich, emotionally haunting, and technically superior to anything he has ever done.

What should be a battle of the sexes is more like a brief skirmish without any of the romantic tension that makes for an interesting – much less great – screen pairing.

In Good Company is a sincere but serviceable-at-best dramedy from Paul Weitz, one-half of the fraternal team that has already brought us two studies about the human male: American Pie and About a Boy.

A sophisticated date movie about male midlife malcontents and the women who love them, from the director of Election.

Shot over the course of 10 years, underground filmmkaker Jim Van Bebber tells the story we all think we know. This time, however, the story graphically unfolds from the perspective of Charles Manson.

Melvin Van Peebles' son Mario pays tribute to his groundbreaking film Sweet Sweetback's Baad Asssss Song, and also settles a few old Oedipal scores along the way.

Ben Affleck plays a widower dad in this family dramedy from an uncustomarily sweet Kevin Smith.