Volume 26, Number 1
ON THE COVER:
news
Spc. Mark Wilkerson learns that it's a lot easier to get in the Army than it is to get out
BY DIANA WELCH
A marriage of land use and transportation planning rarely seen in "property rights happy" Texas is being plotted
BY KIMBERLY REEVES
Is it a taxpayer-financed boondoggle for the oil and gas industry, or an economic development driver of new jobs and cutting-edge technology?
BY AMY SMITH
The latest dispatches from the campaign trail
KUT cuts another hour off John Aielli's Eklektikos, expands Twine Time
BY KEVIN BRASS
Wrapping up loose ends
Debate should focus on meeting community needs, not arbitrary numbers
BY WELLS DUNBAR
Code Red on Deodorant Sticks; and Save Us From Our Protectors
BY JIM HIGHTOWER
food
Scott Cameron, Craig Collins, and Devon Broglie
BY WES MARSHALL
This week: Soy Vay Veri Veri Teriyaki and Garlic Expressions
BY KATE THORNBERRY
Taco Xpress reborn; Burnet blossoms; Jack Gilmore gets chile with it
BY VIRGINIA B. WOOD
Sept. 8-15
Food Reviews
The food is as good as it was before the fire
music
Moonlight Towers' DIY road rage: This is you, Austin
BY CHRISTOPHER GRAY
Live Shot
BY RAOUL HERNANDEZ
A pictorial history of TCB's, and the modern Austin music scene's, formative years
BY CHRISTOPHER GRAY
Texas Platters
Restless
Weird Feelings
Bedroom Demos Vol. 1:Zero Demand
Introducing Miss Lauren Marie, Satan and the Goddess, The Pearl and the Swine, Sugar in My Coffee, Right Where I Belong
Golden Bear
screens
The AFS Texas Documentary Tour: 'The Trials of Darryl Hunt'
BY ANNE S. LEWIS
Susan O'Connor's journey to game writing
BY CARSON BARKER
Pull the film loop tighter; plus, how to give Harry Knowles a heart attack
BY JOE O'CONNELL
Crazy like a mediocre lineup
BY BELINDA ACOSTA
Screens Reviews
So how does it hold up, the arch back-and-forth of these kids treading water in dead-end video-store gigs and oddly affecting affairs with underage girls?
Film Reviews
At first glance, Toby Keith drama Broken Bridges is about reconciliations; really, though, the movie is about the cross-marketing potential of contemporary country music full of cliché and contrived music performances.
An astonishing twinning of wild imagination and drop-dead realism, Brothers of the Head is simply the most poignant and exciting mockumentary about (conjoined) sibling rivalry, revelry, and reversal of fortunes ever made.
Belgian horror romp Calvaire is so dead-set on being disturbing that it ends up tripping over its own hobbled feet and evoking fewer gasps than curdled little giggles.
Jason Statham's Crank – despite the fact that its ever-revving mayhem is ultraviolent, sexist, and frequently offensive enough to warrant a look-see by both the ACLU and the DOJ – is pure action-film bliss.
The story of the friendship and contrasting paths to success of two natural ballplayers, both of whom appear to be too old to be playing teens, Crossover tries hard but never makes the leap.
Charles Bukowski's Henry Chinaski is back, played by Matt Dillon in a low-key, gorgeously beery performance; it's 100-proof Bukowski, but with a decent barkeep at the helm and Lili Taylor's Jan on his arm. Factotum, for all its grim grind, is funny-serious and smart-stupid.
Although Hollywoodland stokes the dying embers of uncertainty regarding the 1959 death of George Reeves, TV's Superman, it nevertheless seems that the result should be more provocative and scandalous.
Mike Judge's underrated comedy Idiocracy is the story of a man who awakes 500 years in the future to find a society so dumbed-down that he instantly becomes the smartest person alive.
Notorious director Neil LaBute's well-intentioned but inadvertently silly film starring Nicolas Cage replaces the vague, sinister paganism of the original with a creepy infusion of earth-mother estrogen gone haywire.
arts & culture
Why Michelle Schumann is meant to be running the Austin Chamber Music Center
BY ROBERT FAIRES
'The Austin Chronicle' pays tribute to the often-unsung shutterbugs who have added so much to our pages with the exhibit 'Black and White and Read All Over: 'Austin Chronicle' Photographers Celebrate 25 Years'
BY ROBERT FAIRES
The West End space, vacated by F8 Fine Art Gallery, is now a new home for the Russell Collection, showing contemporary artwork alongside its paintings by the masters of yore
BY ROBERT FAIRES
Support your local nonprofits by buying prisoner art for the Inside Books Project, running a 5K for the Paramount and State theatres, and listening to Latino artists for the Austin Latino Theater Alliance
Austin museums want you, and Richard Buckley conducts in the Windy City
BY ROBERT FAIRES
Arts Reviews
Bell(e), ethos' installation focusing on literary suicides, chucks the adolescent illusion that killing oneself is a meaningful act of passion
The Oliver Boberg retrospective at Lora Reynolds Gallery is a must-see, but telling you why might spoil the surprise
D. Berman's joint exhibition of work by Naomi Schlinke and Gladys Poorte is an illumination of the "creatorly" power of the artist in process art
columns
Reminiscing on 25 years of 'The Austin Chronicle' and looking forward to what's next
BY LOUIS BLACK
Our readers talk back.
Stephen dishes on celebrities local (Capitol Kia's wide-mouthed Bill Dickason) and visiting (Quentin and Fiona), and more.
BY STEPHEN MACMILLAN MOSER
What are the most effective treatments for curing and hiding the effects of vitiligo?
BY JAMES HEFFLEY, PH.D.
Roommates and new owners – what's the law?
BY LUKE ELLIS
Carlos Cortés continues the family tradition of making beautiful art out of concrete structures that appear to be made of wood
BY GERALD E. MCLEOD
The bikes for weapons program takes off in Congo
BY MR. SMARTY PANTS
Our latest batch
Austin Museum of Art – Downtown, Friday, September 8, 2006
BY THE LUV DOC
Letters to the editor, published daily
sports
Fathers, children, and when glorious runs come to their ends
BY JOE O'CONNELL
Lady Longhorns win two, and more
BY NICK BARBARO