Volume 26, Number 2
ON THE COVER:
news
Celebrating the life of the bigger-than-life Ann Richards
BY AMY SMITH
Williamson County wastewater deal yields the familiar odor of Commissioner Limmer
BY JORDAN SMITH
Chris Bell goes on a snipe hunt, and other campaign news
Preachers quiz the gubernatorial candidates and ban them from preaching
BY MICHAEL KING
Headlines and Happenings from Austin and Beyond
When it comes to governing, one-liners aren't much help
BY MICHAEL KING
Council goes for the rollback rate, gives early Christmas presents
BY WELLS DUNBAR
Bush's Homeland Hokum; and Ralph and Mary's Park
BY JIM HIGHTOWER
food
Flavors from Spiceburst
BY CLAUDIA ALARCÓN
Mangia best served 'Cold'; plus, cake talk
BY VIRGINIA B. WOOD
Take it plate by plate, one plate at a time
BY VIRGINIA B. WOOD
Food Reviews
How has instant success affected Eddie Bernal's latest venture?
Fast food that's actually food
music
Matt Allen's free ice cream melts the hearts of rockers everywhere
BY AUSTIN POWELL
Take two for What Made Milwaukee Famous' debut, Trying Never to Catch Up
BY MELANIE HAUPT
ACL Music Fest Interviews
ACL Music Fest Reviews
The ACL Festival turns five, and the weather gods (might) give Austin a break. Trae tears up Red 7, and the obituary roll call grows.
BY CHRISTOPHER GRAY
What Made Milwaukee Famous
Trying to Never Catch Up
These Four Walls
Jealous Girl, Now You're Gonna Be Loved, Brought to You Via Saddle-ites, Somebody Else's Weirdo
Stranger Things
Reckless Kelly Was Here
Colorblind
Tale From the Two Hill Heart/Sibylline Machine
Comes Alive
screens
Guest Artistic Director Ed Halter adjusts Cinematexas' experimental aim
BY JOSH ROSENBLATT
Schedule: Wednesday, Sept. 20-Sunday, Sept. 24
The Omnibeast and a sect of video-art zealots at UT is hungry
BY SHAWN BADGLEY
A centennial celebration for the conductor of light
BY MARRIT INGMAN
Odell Grant
BY JOE O'CONNELL
Ron Mann on 'Tales of the Rat Fink'
BY MARC SAVLOV
Aaron Sorkin, Mad as Hell
BY BELINDA ACOSTA
Screens Reviews
Now that 'Deadwood' lies murdered in the mud, Shakespeare is the only solace.
Film Reviews
The Covenant is a sleek yet empty picture about four handsome high school seniors who possess supernatural powers and impossibly chiseled stomachs.
The Rock's moral football tale is a pleasant surprise: a swift, sure-footed, and gritty melodrama that plays to the strengths of its formula and elicits empathy for its kids.
Far from being just one more documentary wishing to expose alternative truths about the war in Iraq, Foulkrod's film instead airs some of the hard-won truths learned by American soldiers.
Ryan Gosling's bleakly hopeful turn as crack-addicted teacher Dan in Half Nelson is matched only by the smoldering realism of newcomer Shareeka Epps.
Lacking purpose or thoughtful complexity, Frank E. Flowers' film, starring Orlando Bloom and Bill Paxton, is an overly ambitious mess.
The House of Sand is a quintessentially moderate art film: panoramic and symbolic, epic in scope, technically accomplished, and miraculously acted by the mother-daughter team of Fernandas Montenegro and Torres in showy dual roles.
You could say Paul Haggis' The Last Kiss is something of a Garden State redux, but Zach Braff's character here is less fanciful, less melodramatic, and far more prone to doing the thoughtless things men tend to do.
Jan Svankmajer's creepy-crawl slowly becomes one of the most mordantly beautiful of the director's films, an asylum-set anti-love story with mobile body parts and splashy theatrics.
Thai martial arts star Tony Jaa, who made a strong stateside impression in the recent Ong-Bak: Muay Thai Warrior, stars in this follow-up action picture, that plays like an invigorating Free Willy with elephants.
Ron Mann's Tales of the Rat Fink is an ebullient survey of Ed "Big Daddy" Roth's life that revs along with the zest a souped-up hot rod.
arts & culture
The artists in Mexic-Arte's 'YLA No. 11' may be beyond youth, but they're still definitely deserving of attention
BY RACHEL KOPER
Austin gets its first blast of Hairspray via a new national tour, and director Matt Lenz explains what makes this musical such a crowd-pleaser
BY ROBERT FAIRES
Interest from New York producers is prompting a second encore run for Steven Tomlinson's award-winning one-man show 'American Fiesta'
BY ROBERT FAIRES
Pulling together the second First Night Austin has been a struggle and with New Year's less than four months away, Ann S. Graham has resigned as executive director
BY ROBERT FAIRES
Arts Reviews
In 'St. Nicholas,' Conor McPherson wrote one hell of a one-man show, and Ken Webster executes it beautifully, making this tale of vampires seem as it might really be real
Certainly theatre has been offered in homes before, but rarely have so many pieces (13) been offered in a single home as in 'The Muses: Memories of a House,' presented by the Vestige Group
The Austin Museum of Art's exhibition 'Mary Lee Bendolph, Gee's Bend Quilts, and Beyond' prompts one viewer to piece together a story about postmodernism from patches of art and ethnology
columns
Lest We Forget: Reveling in the communal greatness that is Austin, without getting too specific
BY LOUIS BLACK
Our readers talk back.
The greatest sins of newspapers are sins of omission and emphasis. Historical context is usually ignored, and though facts are reported truly, a lack of context can make the facts lie.
BY MICHAEL VENTURA
Stephen learned of the Beauty of Life and what's hot for autumn at this fashion forward event.
BY STEPHEN MACMILLAN MOSER
The Texas Seaport Museum in Galveston hosts Texas' official tall ship, the 'Elissa'
BY GERALD E. MCLEOD
Do creases in the earlobe signify potential heart problems?
BY JAMES HEFFLEY, PH.D.
Bad Idea to Break My Lease?
BY LUKE ELLIS
What exactly does that "J" stand for in Michael J. Fox?
BY MR. SMARTY PANTS
Our latest batch
Topfer Theatre at Zach, Thursday, September 14, 2006
BY THE LUV DOC
Letters to the editor, published daily
sports
The Lady Longhorns split a pair on the road, play a pair at home this weekend, and more
BY NICK BARBARO