Wood & Steel: Works by Caprice Pierucci and Randall Reid
Both artists here bend and even break rules to elevate humble materials into art
6031-6060 of 9,416 entries
Rachel Koper, May 22, 2009
Blanton Museum of Art
Rifkin takes the reins
Robert Faires, May 22, 2009
The Hideout
Under new – but very familiar – management
Robert Faires, May 22, 2009
Not Weird but Real
Celebrated British artist Edward Povey has good reasons for making Austin his new home
Robert Faires, May 22, 2009
Romeo and Juliet
The heart of this Tejano-style retelling is not the lovers but the people around them
Hannah Kenah, May 22, 2009
Oceana
The Vortex's latest theatrical immersion in myth sinks you down 20,000 leagues
Robert Faires, May 22, 2009
'Anagenesis': Shaggy Goat-Bears With Rocket-Firing Power!
Shaggy goat-bears with rocket-firing power!
Rachel Koper, May 22, 2009
2009 Funniest Person in Austin Contest
One good Turner ...
Robert Faires, May 22, 2009
Funniest Person In Austin Contest
Stand-up and deliver
Wayne Alan Brenner, May 15, 2009
Lauren Levy: Beneath the Palm of My Hand
Levy's latest work is no less compelling for moving from three to two dimensions
Wayne Alan Brenner, May 15, 2009
Cinderella/Mi Madre y Yo
Mothers danced in both Long Center venues on Mother's Day, but oh, what different moms
Jonelle Seitz, May 15, 2009
Give 'Em a Hand
The nominees for the 2009 Austin Critics Table Awards
Robert Faires, May 15, 2009
'Oceana'
The life aquatic
Robert Faires, May 15, 2009
Carlos Rivera Pineda
In memoriam
Belinda Acosta, May 15, 2009
The E Word
Sharon Sparlin's new play about evolution is dynamic, but who is its true audience?
Avimaan Syam, May 15, 2009
A Number
Half the fun of Different Stages' absorbing production is talking about it later
Elizabeth Cobbe, May 8, 2009
Evolving Dialogue
Can Sharon Sparlin's play get science and religion to stop yelling and start talking?
Elizabeth Cobbe, May 8, 2009
Austin Symphony Orchestra With Sarah Chang
A rich concert that showed how much Peter Bay's time on the podium has meant to ASO
Robert Faires, May 8, 2009
Recreating the Domain: Eerie soundtracks for our second Downtown
Eerie soundtracks for our 'second downtown'
James Renovitch, May 8, 2009
Let Me Down Easy
In Anna Deavere Smith's personal journey to confront mortality is a gift of grace
Robert Faires, May 8, 2009
Lordy Rodriguez: Maybe These Maps and Legends Have Been Misunderstood
Maybe these maps and legends have been misunderstood
Wayne Alan Brenner, May 8, 2009
Allisyn Paino
A ballerina's fairy-tale ending
Robert Faires, May 8, 2009
Austin Arts Hall of Fame
Class of 2009
Robert Faires, May 1, 2009
Age of Arousal
The play tempers talk of ideals and suffrage with lots of wit, action, and absurdity
Avimaan Syam, May 1, 2009
L. Nowlin Gallery
A photographer takes her shot – at running a gallery
Elizabeth Cobbe, May 1, 2009
Free Comic Book Day
That time of year for gratis graphics
Robert Faires, May 1, 2009
Outside the Bachs
Classical sounds new when Austin artists do the composing
Robert Faires, May 1, 2009
Camp Bosworth: Three Day Bender and Other Stories from the Big Bend
This Marfa artist captures Texans' love of guns and beer in witty wooden sculptures
Rachel Koper, May 1, 2009
Symposium on Early Texas Art
Discussing and displaying treasures of Lone Star art
Robert Faires, May 1, 2009
The Method Gun
With this play about theatre and tigers, the Rude Mechs earn their stripes forever
