Volume 25, Number 18
ON THE COVER:
news
No More Victims works for peace, one wounded child at a time
BY EMILY PYLE
Headlines and happenings from Austin and beyond
In search of heroes and villains over AMD
BY MICHAEL KING
Take Cheney away; and IBM's plans for the middle class
BY JIM HIGHTOWER
food
It's that time of year again ...
BY WES MARSHALL
A goodbye to Gus Vayas and the GM Steakhouse occasions an explanation as to why we can't save the world
BY VIRGINIA B. WOOD
music
Roky Erickson's monumental comeback
BY MARGARET MOSER
BY CHRISTOPHER GRAY
Best Ofs
Greatest Hits
The Best of Shel Silverstein: His Words His Songs His Friends
The Legend of Johnny Cash
The Very Best of Rosanne Cash
That Was Me 1994-1998
Working for the Man: The Greatest Hits
The Great Johnny Adams Blues Album
But Beautiful: The Best of Shirley Horn
Africa Unite: The Singles Collection
Memento: The Very Best of Dead Can Dance
The Best of the Beta Band
Singles
Sliver: The Best of the Box
Spurts:The Richard Hell Story
Solid Gold Hits
The Best of Snoop Dogg
Curtain Call: The Hits
screens
Mid-20th-century must-sees: Part I
BY LOUIS BLACK
BY SHAWN BADGLEY
The 2005 numbers from the Texas Film Commission? Not bad. Gary Busey coming to town? Scary. Plus, Rhiannon Elizabeth Rodriguez-Avellán, Susan Youssef, and Tracie Laymon.
BY JOE O'CONNELL
Last week, I launched a riff on 'fascinating' TV-related
events of 2005. Here's where I left off.
BY BELINDA ACOSTA
Film Reviews
Munich is dense, thoughtful filmmaking that nonetheless flies along: Seething not only with multilayered, subtextual arguments, it’s also a heck of a thriller.
The film's wonderfully over-the-top performances often feel constrained by first-time film director Susan Stroman, whose inexperience behind the camera is all too apparent.
Fans of The Graduate should skip this strange comedy, which posits that the real-life inspiration for counterculture icon Benjamin Braddock grew up to be a cheesy, brainless high tech zillionaire doing yoga and driving a Mercedes around Half Moon Bay.
Wolf Creek is an accomplished Aussie version of The Texas Chainsaw Massacre; it's also a viscerally told slasher film that manages to do an awful lot with very little.
arts & culture
On the centenary of Dmitri Shostakovich's birth, Austin arts groups join forces to throw the Russian composer a yearlong party
BY ROBERT FAIRES
New Year's Eve becomes a cultural extravaganza with First Night Austin
BY ROBERT FAIRES
After 17 Decembers performing 'A Tuna Christmas' literally thousands of times all over the country, do the folks involved have some holiday tales to tell?
BY BARRY PINEO
Austin's improv headquarters is fielding its own nationally ranked team (of comedians, natch) to put a live comic spin on the Rose Bowl championship
BY ROBERT FAIRES
As George Carlin brings his Off-Base and On Target tour to Austin, area comics talk about this savagely funny and influential stand-up artist
BY STEVE BIRMINGHAM
columns
Beyond Belief: Belligerent intolerance is no testament to
faith
BY LOUIS BLACK
Our readers talk back.
Stephen's Big Western Adventure poses a big western dilemma: Do Capri pants go with the squash-blossom necklace?
BY STEPHEN MACMILLAN MOSER
BY MR. SMARTY PANTS
Nothing seems to recharge the batteries like relaxing in a rocking chair on the front porch of a cottage surrounded by sounds of nature
BY GERALD E. MCLEOD
Are Texas Drunk Driving Laws Tough Enough?
BY LUKE ELLIS
Does fish oil work as well as Tricor to reduce triglycerides associated with diabetes?
BY JAMES HEFFLEY, PH.D.
Blue Genie Art Industries, Saturday, December 31, 2005
BY THE LUV DOC
Letters to the editor, published daily