Matthew Monagle

31-60 of 233 entries
SXSW Film Review: <i>Satan Wants You</i>
Review: Satan Wants You
The Satanic panic as a guidebook to the dangers of crazy conspiracies

SXSW, March 12, 2023

SXSW Film Review: <i>Talk to Me</i>
Film Review: Talk to Me
Séance chiller saves the best for first and last

SXSW, March 11, 2023

Reinventing the Fantasy Movie With SXSW Opening Night's <i>Dungeons & Dragons: Honor Among Thieves</i>
Reinventing the Fantasy Movie With SXSW Opening Night's Dungeons & Dragons: Honor Among Thieves
Writers/directors John Francis Daley and Jonathan Goldstein on dungeons, dragons, and heists

Screens, March 9, 2023

Review: Cocaine Bear
Cocaine Bear
The ursine Dr. Rockzo goes on a bloody comedic bender

Movie Review, March 3, 2023

Review: Fear
Fear
Pandemic horror is overshadowed by better films about fear

Movie Review, Jan. 27, 2023

Review: The Wandering Earth II
The Wandering Earth II
China's sci-fi apocalypse blockbuster gets an equally massive prequel

Movie Review, Jan. 20, 2023

Review: The Devil Conspiracy
The Devil Conspiracy
Nineties Catholic creature feature crap flies again!

Movie Review, Jan. 13, 2023

Review: The Pale Blue Eye
The Pale Blue Eye
Star-studded horror finds Edgar Allan Poe in a Gothic mystery of his own

Movie Review, Dec. 23, 2022

The Video Store Lives Again as We Luv Video Hits Crowdfunding Target
The Video Store Lives Again as We Luv Video Hits Crowdfunding Target
New nonprofit gets community support to revive physical media rentals

Screens, Dec. 8, 2022

Review: Emancipation
Emancipation
Will Smith's stunning Civil War drama is a B-movie in award-bait clothes

Movie Review, Dec. 9, 2022

Review: Violent Night
Violent Night
David Harbour cracks down hard on the "naughty" list in the Christmas slugfest

Movie Review, Dec. 2, 2022

New Nonprofit Plans to Bring Back Austin’s Video Rental Culture
New Nonprofit Plans to Bring Back Austin’s Video Rental Culture
We (still) Luv Video

Screens, Oct. 27, 2022

<i>Scary Movie</i>  Comes Back From the Grave
Scary Movie Comes Back From the Grave
Austin's 1991 indie horror rises again

Screens, Oct. 20, 2022

Review: Slash/Back
Slash/Back
Smart Canadian horror sets Indigenous teens against alien invaders

Movie Review, Oct. 21, 2022

Review: Don't Look at the Demon
Don't Look at the Demon
Malaysia-set horror film employs skill and style to scare

Movie Review, Oct. 7, 2022

Fantastic Fest Review: <i>The Antares Paradox</i>
The Antares Paradox
Single-location sci-fi thriller stays in shallow end

Screens, Oct. 4, 2022

Fantastic Fest Review: <i>Missing</i>
Missing
Depressed dad seeks serial killer in low-impact Japanese thriller

Screens, Oct. 3, 2022

Fantastic Fest Review: <i>Nightsiren</i>
Nightsiren
Tereza Nvotová’s bewitching horror makes her one to watch


Screens, Oct. 3, 2022

Review: Medieval
Medieval
Brutal historical epic gives gritty, accessible life to a Czech icon

Movie Review, Sept. 9, 2022

Review: Maneater
Maneater
Trace Adkins versus sharks is a soggy mess

Movie Review, Aug. 26, 2022

Review: Summering
Summering
Tale of teens searching for a corpse is more than a new Stand by Me

Movie Review, Aug. 12, 2022

Review: The Phantom of the Open
The Phantom of the Open
Mark Rylance raises this fantastical golfing biopic above par

Movie Review, June 24, 2022

Review: Lightyear
Lightyear
Pixar's Toy Story spin-off never achieves lift-off

Movie Review, June 17, 2022

Review: Jurassic World Dominion
Jurassic World Dominion
Nothing new in the DNA of this dinosaur trilogy capper

Movie Review, June 10, 2022

Review: Montana Story
Montana Story
Death in the modern West underlies this poignant family drama

Movie Review, May 27, 2022

Review: Escape the Field
Escape the Field
Labyrinthine thriller knows to just follow the old map

Movie Review, May 6, 2022

Review: The Contractor
The Contractor
Mercenary drama fails its mission of being good

Movie Review, April 1, 2022

SXSW Film Review: <i>Boycott</i>
Film Review: Boycott
The real victims of the GOP war on free speech

Screens, March 22, 2022

SXSW Film Review: <i>Slash/Back</i>
Film Review: Slash/Back
Indigenous alien invasion horror-comedy is an icy blast

SXSW, March 15, 2022

SXSW Film Review: <i>Deadstream</i>
Film Review: Deadstream
Horror-comedy that gets the laugh/scream ratio right

SXSW, March 12, 2022

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