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Questions raised about whether cards were stacked against Davidians in their civil suit against the federal government.

The found footage anthology goes back to the '90s

The Power of the Dog leads the pack with nine nominations

The Austin filmmaker takes the mask off Star Wars' enigmatic bounty hunter for new Disney+ show

Festival drops complete lineup, with 2020 titles getting their shot

What we’re listening to

This production gives an ancient tale a fresh look and feel while retaining its tragic power

The Scottish Play – still cursed after all these years

Competitive narratives and docs unveiled, plus more

Penfold's condensed version of Shakespeare's play, played by five actors, brings out the heart of the tragedy

Slate includes everyone from Wes Anderson to the Zellners

So much ado!

Vinyl Bin

City Theatre digs into the ancient Greek tragedy with a wink at antiquated gender politics

Two women's bravery is more important than one man's evil

This riff on Greek tragic conventions stuffs plays within plays with giddy charm

Cristina García's antidote to the so-called 'spicy señorita'

Mayor speaks on Sanders settlement

SXSW 2010 keynote speaker Smokey Robinson originally wanted to be a cowboy, but they didn't have any horses in his hood

The rub of love of history is that you always know how it ends, and it ends particularly badly in these three royal biographies

Imagine That's inaugural Equity production is a House united by brilliance

Cambiare's Orestes is refreshingly fast but, tragically, a bit loose

Exploring the elusiveness of fame and the ethics of the mash-up in 24 Beats per Second

AFF's finalized lineup

In The Goat, or Who is Sylvia?, Edward Albee has created an intellectual car wreck, and Different Stages has executed it so skillfully, you can't tear your eyes away