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Five married men share a penthouse loft in which an unidentified woman turns up dead.

Jennifer Lopez stars in this brazenly dumb MILF thriller.

Reese Witherspoon stars as Cheryl Strayed in this autobiographical trek of expiation.

Dog Day Afternoon is a film about a wildly true bank robbery; as conveyed by John Wojtowicz in this doc, the story gets even nuttier when told from the horse's mouth.

Have a band. Play music. Enjoy it. Nerd the fuck out.

In this road movie, Catherine Deneuve plays a Frenchwoman having an existential crisis on wheels.

Kathleen Hanna, the ultra-charismatic co-founder of the third-wave feminist riot grrrl movement and full-on DIY icon is the subject of this documentary.

In this gross but smart comedy from Jacob Vaughan, a man's stress grows into a monster that explodes from his rectum.

The unlikely relationship between two damaged souls is made deeply palpable by the stunning performances of Oscar-winner Marion Cotillard and rising star Matthias Schoenaerts.

Ben Affleck directs this entertaining thriller about an unbelievable-but-true mission to extricate American hostages from Iran in 1980.

This ebullient domestic comedy by Julie Delpy, in which she co-stars with Chris Rock, is a follow-up to 2007’s 2 Days in Paris.

This fourth entry in the Tom Cruise film franchise is the best of the bunch; it's wacky and keen to please.

50/50 accomplishes the near-impossible: It's a feel-good cancer comedy.

It's Nashville-on-the-rocks as Gwyneth Paltrow takes a starring turn as an alcoholic singer trying to make a comeback.

The director of this Italian film, Gianni Di Gregorio, also stars as a middle-aged bachelor who lives with his mother and cooks for her friends.

A remake of a 3-year-old British comedy, Death at a Funeral transfers its farce from a predominantly white cast to predominantly black.

A grittily femme perspective governs this otherwise conventional music saga about the Runaways, America's first all-girl rock band.

This documentary is a revealing portrait of Dorian “Doc” Paskowitz, the spiritual father of Israeli surf and the corporeal father of a nine-child surfing dynasty in California.

In his fourth cinematic outing, Rambo's tasked with saving Christian missionaries in Burma.

Peter O'Toole, in an Oscar-caliber and -nominated performance, pulls off the tricky May-December relationship at the heart of Venus with colossal panache and sublime craft.

Like the very word this documentary examines, F*ck can be found all over the place.

Simon West’s do-over of Fred Walton’s 1979 creepfest – in which babysitter Belle menaced by a stranger with a phone who probably isn’t that guy from Verizon – is a hollow, shallow, and just plain boring exercise in snooziness.

Smith turns his stoner Greek chorus into leading men on a mission.

There's no middle ground in Fight Club: Either you go with its berserker ethos or go nuts.