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This is an even-handed portrait of discontented lovers: A love that starts out in a fever winds up with lots of pistol-waving.

To improvise Chekhov plays, the cast of Nothing and Everything learned just how much goes on in them

Chekhov's tale of Muscovite misery takes unsteady flight.

A drama by debut filmmaker Michael Meredith is a Chekhov-inspired collection of semi-intertwined vignettes about a half-dozen or so depressed people living in Cleveland, and features an impressive cast.

From Chekhov to Gunne Sax

InThr3e Zisters, Salvage Vanguard disinters Chekhov's famous siblings in a beautiful, fascinating, cutting way

This zombified take on Chekhov gets reanimated right when we need women who will bite back at the patriarchy

Teatro Vivo's El Nogalar provides a context for examining social class in contemporary Mexico

This new adaptation of Anton Chekhov's beloved classic takes wing well enough but doesn't quite soar

Chekhov gets a pie in the face in this silent spoof

Barkeep, gimme a whiskey with a Chekhov chaser

In the backstage comedy Anton in Show Business, playwright Jane Martin wittily paints the contemporary stage as a madhouse overrun by loons and lunatics so preoccupied with money, image, and themselves that they can hardly be bothered to create art. And the State Theater Company's production takes us inside the insanity with an air of playfulness that keeps the audience primed for a good time.

Combustible Collaborators Joseph Skibell and David Yeakle

St. Idiot Collective's 'Vaudeville Vanya' ambitiously seeks to explode a great old play with a great old medium, but it ends up a sheen of vaudeville brushed over a hellbent staging of Uncle Vanya

As written by Brian Friel and performed by Babs George and Don Toner, Afterplay is a waltz of the walking wounded danced with stately grace to a beautifully elegiac tune

For a getaway steeped in Chekhovian longing and ennui, The Hotel Vanya is the only place to stay

Breaking String Theater blows some life into the dusty corpse of Anton Chekhov with this new adaptation of 'Three Sisters'

This 1994 film captures an alchemical moment of New York theatre lore, a prolonged experiment in Chekhov

Some of Austin's finest young actors have banded together as a creative family called St. Idiot Collective and are out to make solemn Anton Chekhov fun with 'Vaudeville Vanya'

In c / o the grove, director J. Ed Araiza has moved Chekhov's The Cherry Orchard to modern Central Texas, where pecans take the part of cherry trees and pop culture references abound, not always to the play's benefit, but the strong storytelling and focused performances of the young cast make this another success in big, collaborative, ensemble theatre for the St. Edward's University theatre department.

Breakin' String Theatre's take on Chekhov goes down like a shot of fine vodka

The State Theater Company production of The Good Doctor

Asking what difference art makes in the face of revolution, Theatre en Bloc delivers an engrossing production

Skipper Chong Warson examines Different Stages' new take on Uncle Vanya.

Ryûsuke Hamaguchi’s second masterpiece in a year finds the pain of love

Breaking String's Gusev is a remarkable, feverish journey through the human condition

Seeing what's new in theatre requires letting go of old notions

The crises facing Chekhov's characters feel very current in UT's staging