Film Review Archives
10,232 results:
Wonka (2023, 116 min., PG) 




Roald Dahl's candy king gets a flavorless and cloying origin story
Two mad-as-hell mamas take back their public school from the bureaucrats and unions that seemingly enforce the status quo.
America's favorite neighbor, Fred Rogers, revealed as even kinder than you hoped
Woo (1998, 80 min., R) 




Try as I might, I just can't seem to figure out what the original story pitch for Woo could have been: “A Nineties-style `It' girl finds romance in the big city despite herself?” “An obnoxious fashion ...
The Wood (1999, 106 min., R) 




Given the engorged state of coming-of-age movies today, The Wood sounds like just another attempt to push the envelope of onscreen sexual propriety. The title, however, is a shorthand reference to the Los Angeles suburb of ...
What would you do if you were forced to marry a jarful of ashes? That's the surreal predicament faced by the beleaguered heroine of The Wooden Man's Bride after her husband-to-be -- in a scene more ...
Woodshock (2017, 100 min., R) 




Moody, marijuana-tinged drama
Writer-director Nicole Kassell’s debut film is a lean drama anchored by subject matter which, although difficult, remains distantly disquieting yet never challenging.
Wordplay (2006, 94 min., PG) 




A documentary about crossword puzzles and their ardent fans, with specific focus on the daily puzzles in The New York Times; their editor, Will Shortz; and the American Crossword Puzzle Tournament.
The story is rather creaky, but who cares when the actors Clive Owen and Juliette Binoche are so sublime together?
The Words (2012, 96 min., PG-13) 




As an examination of the writer's world, this film offers nothing new; as a romance it's not half bad.
The Work (2017, 89 min., NR) 




Doc on a powerful Folsom Prison therapy group
Mark (Guidry) is an artist and a radical activist. Joey (Giles) is a garbage collector who brings home stray artifacts he culls from the junk he picks up. They are a couple in their mid-twenties. Mark, ...
The World Is Not Enough … but two hours is plenty sufficient. It's not as though there's anything too new to report on here, apart from the latest nifty techno-gadgets and this year's model of the ...
In this bloody Japanese thriller, a father searches for his daughter
Frontier romance speaks of a love that cannot speak the name it does not yet have
This is not the 9/11 film we expected from Stone, who tells the fact-based story of two individuals who somehow survived the collapse of the World Trade Center and with a remarkable economy of expressionistic detail and bombast.
World War Z (2013, 116 min., PG-13) 




This bio-disaster movie with zombies and Brad Pitt is smart and ambitious, even if it doesn't break the mold.
Like them or not, television commercials are a permanent fixture on the broadcasting landscape. They relentlessly pitch everything from cars to beer, toothpaste, deodorant, and “the itch that is too private to mention” by preying upon ...
The World (2004, 139 min., NR) 




Using a sleek visual style and bits of animation, this elegant Chinese film explores the effects of modernism, globalism, and international commerce upon its culture and society.
Twelve pints in 12 pubs – what could go wrong for the Shaun of the Dead gang?
Anthony Hopkins' great performance as Burt Munro, the real-life New Zealand codger and Indian motorcycle enthusiast who in 1967 set a land speed record that still stands today, is not enough to crash through this unabashedly sentimental wall of schmaltz.
Bobcat Goldthwait directs Robin Williams in this comedy that harpoons pious sentimentality.
Worst person? No. Best performance of the year? Maybe.
Ritchie and Statham find a new, welcome gear in this bloody thriller
The Greek gods of antiquity must be angry: this sequel is merely loud and uninspired.
Candyland meets Tron by way of Nintendo's Donkey Kong, a sweet splash of treacly Disneyana, a dollop of Pixar's Cars, and a gooey series of sugar-bomb, high-fructose, racing set-pieces that very nearly sideswipe the Wachowskis’ Speed ...
The great L.A. session band gets the doc treatment
In the latest film from Darren Aronofsky, Mickey Rourke rips his tattered name from the dustbin of history with his portrayal of an aging professional wrestler.
More grumpy old men here. Well, Harris's Frank is not exactly grumpy. He's a hard-drinking, loud-talking, woman chasing Irish ex-sailor, who has ended up, at 75, alone in a rented room in an rundown Miami apartment ...