Aztlan Dance Company: A Dancer's Life
Longtime Aztlan dancer Stephanie Mayorga Keeton doesn't just like to dance: She needs to dance
6391-6420 of 9,421 entries
Jonelle Seitz, June 27, 2008
'What I Want Right Now': Title Match
Titling a play can sometimes be a tenuous proposition, as was the case with Tom White's most recent work
Barry Pineo, June 27, 2008
KMFA: The Man Behind 'Classically Austin' Leaves for Portland
Jack Allen, the man who recharged Austin's classical radio station, is off to do the same for a West Coast station
Robert Faires, June 27, 2008
'Bomb Shelter: or the Modern Pinocchio'
A refreshingly different after-the-bomb fable that gets at our impulse to create through a playful acting-out of 'Frankenstein'
Robert Faires, June 27, 2008
The Pirates of Penzance
While the staging could use more swash with its buckle, this take on the G&S pirate musical succeeds where it must: with the music
Barry Pineo, June 27, 2008
Culture Flash!
The Longs give a million, the Rudes add a co-PAD, Mills shows his new dance, and Kitch joins a board
Robert Faires, June 20, 2008
'Necessary Targets': A Reason for Revisiting Bosnia
The Paradox Players believe Eve Ensler's play about the decade-old Bosnian war is as timely as ever
Barry Pineo, June 20, 2008
Sterling Allen: Residencies!
The Austin artist and Okay Mountaineer has been picked for a pair of prestigious residencies in San Antonio and Omaha
Rachel Koper, June 20, 2008
First Night Austin: New Year's Festival Names New Director
First Night International's executive director brings decades of experience with First Night to the local celebration
Robert Faires, June 20, 2008
The Beauty Queen of Leenane
This Beauty Queen is harsh but effective, gritty as a sandpaper shamrock
Elizabeth Cobbe, June 20, 2008
Tomorrow, the World
Craig Hella Johnson's company of voices has long been world-class; now the world is hearing it
Robert Faires, June 20, 2008
Steve Brudniak: 'Noumenon'
Steve Brudniak's newest exhibition is thoroughly retro-futuristic, but don't use the "s" word to describe it
Wayne Alan Brenner, June 20, 2008
Verdi's Greatest Opera
Robert Faires, June 20, 2008
The Total Package
Decoder Ring's Christian Helms provides everything you could want in a design – or a designer
Sergio Burns, June 13, 2008
Hamilton Township
Salvage Vanguard turns Jason Grote's new play into a rare slice of performance: funny, frightening, visceral, violent, and totally unforgettable
Barry Pineo, June 13, 2008
A Funny Thing Happened on the Way to the Forum
A Funny Thing Happened on the Way to the Forum
Elizabeth Cobbe, June 13, 2008
The Velveeta Room: Vive la Difference de le Fromage!
Nearly three dozen comics are flocking to Sixth Street to pay tribute to Austin's other comedy club
Robert Faires, June 13, 2008
Lance Letscher: 'Industry and Design'
Throughout his latest group of collages, Letscher is always exploring how we work through ideas and emotions
Nikki Moore, June 13, 2008
Muses II: Memories of a House: Home Theatre
A special house in Travis Heights becomes even more special as the setting for Vestige Group's collection of playlets
Barry Pineo, June 13, 2008
CreateAustin: The City Gets the Plan
After two years in the making, the community cultural plan has been presented to the Austin City Council
Robert Faires, June 13, 2008
The Bat
ALO's hometown take on Die Fledermaus with wit, affection, enthusiasm, and style from all parties
Robert Faires, June 6, 2008
Jim Torok: Life Is Good
Torok's contrasting images of realism and cartoon abstraction show us both his life and his constructed idealized self
Rachel Cook, June 6, 2008
Honor Roll
The 2007-2008 Austin Critics Table Awards
Robert Faires, June 6, 2008
Big Range Austin Dance Festival
Getting movement more visible
Jonelle Seitz, June 6, 2008
Pecha Kucha
Parsing the 400-second chitchat
Josh Rosenblatt, June 6, 2008
Art
New company's first production is fine work indeed
Elizabeth Cobbe, June 6, 2008
Dog Sees God: Confessions of a Teenage Blockhead
Underneath its vulgar, profane surface, Bert V. Royal's look at the Peanuts gang as teens still honors its source material
Hannah Kenah, May 30, 2008
Bats Left, Sings Right
With help from Esther's Follies, Austin Lyric Opera turns Strauss' Viennese waltz into a Texas two-step
Robert Faires, May 30, 2008
The Love Sonatas
Much has been invested in mounting Manuel Zarate's five-play cycle, all to answer the basic question: What is love?
Avimaan Syam, May 30, 2008
Culture Flash!
A new theatre company gets Broadway vets to teach teens in Austin, and an older one gets a new artistic director and a new name
