Restaurant Review: Nori

New plant-based Japanese concept hits the spot

Jan. 27, 2023 Food Feature by Melanie Haupt

Review: Vortex Repertory Co.’s Ride the Wave

All foam, no fortitude in this surfer dude play

Jan. 27, 2023 Arts Feature by Bob Abelman

Sundance 2023 Review: STILL: A Michael J. Fox Movie

The actor and the disease he refuses to let define him

Jan. 25, 2023 Screens Post by Richard Whittaker

Sundance 2023 Review: Squaring the Circle (The Story of Hipgnosis)

Album cover maestro Anton Corbijn highlights the art mavericks

Jan. 24, 2023 Screens Post by Richard Whittaker

Sundance 2023 Review: Birth/Rebirth

Maternal horror with a clinical twist

Jan. 24, 2023 Screens Post by Richard Whittaker

Review: Jarrott Productions' The Sound Inside

An understated, intriguing page-turner

Jan. 20, 2023 Arts Feature by Bob Abelman

Album Review: Rattlesnake Milk

Chicken Fried Snake (Feels So Good)

Jan. 20, 2023 Music Feature by Kevin Curtin

Album Review: je'Texas

je'Texas

Jan. 20, 2023 Music Feature by Hank Erwin

Review: Vortex Repertory Co.’s Ride the Wave

All foam, no fortitude in this surfer dude play

Jan. 18, 2023 Arts Post by Bob Abelman

We Asked Writers To Review Bands They’d Never Seen Before at Free Week in Austin

First looks at Dregs, Chief Cleopatra, Exotic Fruits, Nuclear Daisies

Jan. 13, 2023 Music Feature by Nayeli Portillo

We Asked Writers To Review Bands They’d Never Seen Before at Free Week in Austin

First looks at Dregs, Chief Cleopatra, Exotic Fruits, Nuclear Daisies

Jan. 9, 2023 Music Post by Nayeli Portillo

Review: Broadway in Austin's Dr. Seuss' How The Grinch Stole Christmas!

Quite the fan, I am

Dec. 9, 2022 Arts Feature by Bob Abelman

Review: The Last Five Years

Inclusive production gives the time between love and loss a mighty voice

Dec. 9, 2022 Arts Feature by Bob Abelman

Review: Archive Theater's A Sherlock Holmes Christmas

Should you welcome this Holmes for the holidays with seasonal cheer?

Dec. 2, 2022 Arts Feature by Bob Abelman

Review: Austin Playhouse’s The (One-Act) Play That Goes Wrong

An evening of side-splitting schadenfreude

Nov. 23, 2022 Arts Post by Bob Abelman

Review: Different Stages Theatre's Water by the Spoonful

A teaspoon of gravitas, tablespoon of heart is the perfect recipe for this Pulitzer winner

Nov. 25, 2022 Arts Feature by Bob Abelman

Review: Austin Shakespeare's Sense and Sensibility

Putting the pedal to the metal bolsters Jane Austen's classic work

Nov. 18, 2022 Arts Feature by Bob Abelman

Review: Glass Half Full’s Cenicienta

The bibbidi-bobbidi-boo in this bilingual Cinderella story lies in the storytelling

Nov. 11, 2022 Arts Feature by Bob Abelman

Austin Film Festival Review: Glass Onion: A Knives Out Mystery

Rain Johnson brings back Benoit Blanc for a deliciously tart sequel

Nov. 4, 2022 Screens Post by Trace Sauveur

Austin Film Festival Review: The 'Vous

Behind the counter at the legendary Memphis BBQ joint

Nov. 4, 2022 Screens Post by Rod Machen

Austin Film Festival Review: The Whale

Darren Aronofsky contemplates fatness and faith

Nov. 4, 2022 Screens Post by Jenny Nulf

Austin Film Festival Review: What Remains

Anne Heche's final film shows the complexity of forgiveness

Nov. 3, 2022 Screens Post by Rod Machen

Review: Broadway in Austin’s Chicago

Hello, suckers!

Nov. 4, 2022 Arts Feature by Bob Abelman

Austin Film Festival Review: Sam & Kate

Hoffman and Spacek in a bittersweet tale of love and family

Oct. 29, 2022 Screens Post by Richard Whittaker

Austin Film Festival Review: Nanny

Eerie migrant drama is an intriguing addition to Black horror

Oct. 29, 2022 Screens Post by Trace Sauveur

Review: Glass Half Full Theatre's Yamel Cucuy

Modern-day Mexican folktale rallies against things that go bump in the night

Oct. 28, 2022 Arts Feature by Bob Abelman

Review: Jarrott Productions' The Pact

This new, locally sourced play cleverly covers its dark comedy center with a thick sitcom coating

Oct. 14, 2022 Arts Feature by Bob Abelman

Review: Zach Theatre's The Elaborate Entrance of Chad Deity

Theatrical elements combine for a "perfect goddamn story"

Oct. 7, 2022 Arts Feature by Shanon Weaver

Fantastic Fest Review: The Antares Paradox

Single-location sci-fi thriller stays in shallow end

"...World Premiere Follow all our coverage, news, reviews, and interviews at austinchronicle.com/fantastic-fest...."

Oct. 4, 2022 Screens Post by Matthew Monagle

Fantastic Fest Review: Missing

Depressed dad seeks serial killer in low-impact Japanese thriller

"...US Premiere Follow all our coverage, news, reviews, and interviews at austinchronicle.com/fantastic-fest...."

Oct. 3, 2022 Screens Post by Matthew Monagle

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