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Mothers danced in both Long Center venues on Mother's Day, but oh, what different moms

The revival of Stephen Mills' Shakespearean ballet is rich in visuals and moving passion

In Ballet Austin's take on Cervantes' old knight, youthful vigor and good humor pretty much carried the day

How much closer we are to getting the cultural wonderland we imagined 10 years ago

Ballet Austin's bill of 'One / the body's grace' and 'Carmina Burana' provided a living spectacle of sound and motion that evoked the pleasure in what it means to be human

Deborah Hay wins raves, The Match in New York, and Ballet Austin brings a New York dancer to town to play Hamlet

A certain boy whose permanent address is Neverland has been buzzing Austin quite a bit this spring, and here are some thoughts on why Peter Pan is so much in the air these days.

Artistic director resignations, more traveling Austin artists, and the missing BS.

Using their intimate knowledge of dance and knack for slapstick physicality, the men of the Ballet Trockadero de Monte Carlo lampooned the dance world from Swan Lake to Balanchine, and won the laughing adoration of a packed Paramount Theatre, including reviewer Dawn Davis.

The current surge of Latinx theatre and dance in Austin speaks to both tradition and pioneering new directions

The 2012-13 Austin Critics Table Awards

Arts writers raise their glasses to outstanding art in list of nominees

Choreographer-performer Rosalyn Nasky has a penchant for details

Two choreographers tackled weighty topics onstage last week in a remarkable fashion

Alvin Rangel's future may be uncertain, but for now he's making great dance

The nominees for the 2011 Austin Critics Table Awards

The mixed program offers a rich variety of dance that defies easy summation

How four love poems shaped a suite of dances and affect the dancers themselves

Well-executed entertainment that still left the writer pining for more art

One of Ballet Austin's leading ballerinas is bidding farewell to the spotlight

Cynic admits: Ballet Austin's take sparks the imagination with beauty and grace

Your Style Avatar searches for the greenroom at the county tax assessor's office

New Year's Eve becomes a cultural extravaganza with First Night Austin

Clowns picket Physical Plant, Mills takes the prize in Montreal, Steakley mixes up some 'Tuna' in Louisville, and Salvage Vanguard wants you to join their party

Choreographer Stephen Mills packed Ballet Austin's adaptation of The Taming of the Shrew with a rollicking physicality that spun ballet into slapstick and twirled slapstick into ballet and revealed an impressive grasp of Shakespeare's characters.

The full list of nominations for the 2002-2003 Austin Critics Table Awards, recognizing outstanding achievements in local theatre, dance, classical music, and visual art

When Austin Symphony conductor Peter Bay leads the UT New Music Ensemble in a performance of George Antheil's Ballet mécanique, he'll not only be giving the 1920s work its Austin premiere, he'll be reviving the notorious masterpiece of one of the true bad boys of music.

As staged by Ballet Austin, the 1841 ballet Giselle showed its age in the first act, with cartoonish characters cluttering the stage and a distinct lack of fireworks in the dancing, but after the death of the title character, the production came alive with a breathtaking performance from Gina Patterson.