James Cotton and Pinetop Perkins

Mighty Long Time, Live at Antone's Nightclub, Live at Antone's Vol. 1, and Pinetop's Boogie Woogie (New West)

Texas Platters

James Cotton

Mighty Long Time (New West)
Live at Antone's Nightclub (New West)

Pinetop Perkins

Live at Antone's Vol. 1 (New West)
Pinetop's Boogie Woogie (New West)

Antone's Nightclub unfolds a four-decades-and-counting musical history whose fabric weaves together greater blues history (Muddy Waters, BB King, Buddy Guy) with that of the Lone Star State and capital (Fabulous Thunderbirds, Stevie Ray Vaughan, Gary Clark Jr.). At the intersection of both, not to mention the midpoint between the venue and its onetime imprint Antone's Records, sit both Pinetop Perkins and James Cotton. Retiring locally at the behest of the club's late owner Clifford Antone, the former pianist – Waters' onetime key man – spent the last years of his life (2004-11) here, wowing the locals. Perkins' Live at Antone's Vol. 1 offers a compendium of roundabout shuffles, 12-bar horn solos, and running basslines – his voice coated in scorned love on "I Almost Lost My Mind" – while Pinetop's Boogie Woogie spotlights the ivory trader in 1992 at the age of 79. Another Waters alum, harmonicat James Cotton, quietly local for decades now, offers perfect complement on Mighty Long Time and Live at Antone's Nightclub. Cotton's growls convey a pain as sharp as his harp on the 1991 studio LP and the attendant live collection. On "Moanin' at Midnight," his voice booms and hollers reminiscent of Howlin' Wolf, all the while accompanied by twanging, rambling electric guitar. "Midnight Creeper" knifes classic juke joint grooves. All four reissues whistle and jump with an intimacy and spontaneity that makes you feel like you just stopped by the venue's new Fifth Street locale for a cold one.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 36 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More James Cotton
Texas Platters
James Cotton
Giant (Record Review)

Margaret Moser, Oct. 22, 2010

Phases and Stages
James Cotton
Baby, Don't You Tear My Clothes (Record Review)

Jim Caligiuri, June 18, 2004

More Pinetop Perkins
Texas Platters
Pinetop Perkins
How Long? (Record Review)

Tim Stegall, Nov. 29, 2013

Last of the Delta Bluesmen
Last of the Delta Bluesmen
Pinetop Perkins' 'homegoing'

Margaret Moser, April 22, 2011

More Music Reviews
Texas Platters
Ray Bonneville
At King Electric (Record Review)

Doug Freeman, Sept. 7, 2018

Texas Platters
Uncle Pie Hole
Uncle Pie Hole (Record Review)

Tim Stegall, Aug. 10, 2018

More by Alejandra Ramirez
Texas Platters
Ghostland Observatory
See You Later, Simulator (Record Review)

Sept. 7, 2018

Texas Platters
Sungod
Wave Refraction (Record Review)

Aug. 24, 2018

KEYWORDS FOR THIS STORY

James Cotton, Pinetop Perkins

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Updates for SXSW 2019

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle