Vigil
This play about death is so funny you feel healthier after than you did before
5551-5580 of 9,404 entries
Elizabeth Cobbe, Oct. 1, 2010
Engagement
UT's new Visual Arts Center connects its art department with the world
Robert Faires, Sept. 24, 2010
'... Might Be Good'
New names for the masthead
Robert Faires, Sept. 24, 2010
The VAC Opening
Robert Faires, Sept. 24, 2010
Culture Flash
Your chance to dance with Jack Black, and votes pour in for the Paramount
Robert Faires, Sept. 24, 2010
The Imaginary Invalid
At St. Edward's, Molière's satire is a tight two hours of irreverent, blue humor
Avimaan Syam, Sept. 24, 2010
Hamlet
Shakespeare's best-known play is performed too fast for the audience to absorb
Barry Pineo, Sept. 24, 2010
'Paper 2'
A thoughtfully hung show that draws one deep down a river of paper-based beauty
Wayne Alan Brenner, Sept. 24, 2010
Shakespeare Around Austin
Shakin' up how we see Will
Robert Faires, Sept. 24, 2010
Victore, Victorious!
James Victore reveals his hot-as-shit graphics at the HRC tonight
Wayne Alan Brenner, Sept. 21, 2010
Culture Flash
The city helps artists plan, and a writers' organization edits its own name
Robert Faires, Sept. 17, 2010
Tommy Tune
Still refining his steps
Robert Faires, Sept. 17, 2010
Collective Burgeoning
For the artists of Okay Mountain, it was a very good year
Robert Faires, Sept. 17, 2010
Horton Foote Prize
Inaugural honors to Nottage and Eno
Robert Faires, Sept. 17, 2010
Influences: A Cinematic Showdown
No showdown shows up, but Stephanie Keeton shares the thrill of the dancing body
Jonelle Seitz, Sept. 17, 2010
The Tempest
Shakespeare's last play is ably acted, but the staging lacks heart
Avimaan Syam, Sept. 17, 2010
MilkMilkLemonade
A gay elementary school love story with palpable resonance for everyone
Barry Pineo, Sept. 17, 2010
Muses IV: Memories of a House
This site-specific show is in a lovely home, but the characters in it lack depth
Elizabeth Cobbe, Sept. 10, 2010
'MilkMilkLemonade'
Doin' the funky chicken
Katherine Catmull, Sept. 10, 2010
'Joseph Phillips & Shawn Smith'
Two artists make dazzling use of artifice to explore and explode the artificial
Wayne Alan Brenner, Sept. 10, 2010
Free Dance!
Maximum movement, minimum cost
Robert Faires, Sept. 10, 2010
Culture Flash
Exploring the meaning of public art and competing for a $10,000 commission
Robert Faires, Sept. 10, 2010
Cho Jam
Comedy is her life, but Margaret Cho is just mad about the music
Kate X Messer, Sept. 10, 2010
Metamorphoses
Aerialists add theatrical magic to the myths here, but a Texas twang sounds off
Barry Pineo, Sept. 10, 2010
Dead White Males
This critique of public education loses grade points on acting choices
Barry Pineo, Sept. 3, 2010
The Odyssey: A Rock Musical
This adaptation of Homer's epic is faithful to a fault and rough around the edges
Elizabeth Cobbe, Sept. 3, 2010
'Fired Up!'
This ceramic, glass, and steel art's beauty and wit will knock you on your ass
Wayne Alan Brenner, Sept. 3, 2010
I Witness
This dance/spoken-word production embodies our waking, sleeping dream
Barry Pineo, Aug. 27, 2010
2010 Out of Bounds Comedy Festival
A banquet of yuks, more welcome than ever
Robert Faires, Aug. 27, 2010
'Underground'
Exploring of what goes on beneath the surface – of our bodies, of society, of the cities in which we live, of the very planet itself
