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Though lacking a clear point of view, the film seems to say that war not only dehumanizes soldiers but also infantilizes them. It’s not a pretty picture, but it is a lovely film.

See it for the many lovely performances, although the film’s vision of Gen-Y nesting is liable to leave you up a tree.

From Explosions in the Sky to CAPYAC’s Far Out Fest

Credit where credit is due: Bill Broyles takes on Brian Grazer in The New Yorker.

James Cameron goes deep, emotionally and aquatically, in his sci-fi epic

Translating the scrolls at Austin’s most interesting festival of the year

The Russos pull the threads between addiction and PTSD

Backwoods crime drama with a social conscience is gruelingly bleak

Hayden Panetierre stars in this coming-of-age comedy about a high school valedictorian who proclaims his love for the school's hottest cheerleader during his graduation speech.

While major productions play tax-incentive hopscotch across the South and Southwest, Austin tries to figure out how to reignite its winning streak

Conspiracy theorist Alex Jones fields allegations that he's been stifling free expression on Austin Cable Access television.

Oscar-winner discusses the challenges of balancing projects

The best and the rest of the month's home releases

Do the Hugos Really Award the Best in Speculative Fiction?