Mumblecore and Murder

At SXSW 2005, Mutual Appreciation sound mixer Eric Masunaga half-jokingly coined a name for a mini-movement or scene or school or what-have-you. It’s made up of filmmakers around the country who were then working independently, producing microbudgeted slices of twentysomething life, marked by a fumbling inarticulacy in their talk and an exacting clarity in their…

Seen and heard #2

At the Radio Shack on Oltorf & Congress: I had to make a battery run and the person helping me got into a testy phone call while he was checking me out. I got curious when I heard him say “Convention Center,” assuming (rightly) that a South-byer needed some portable juice too. When I asked…

The Roller Derby Invades SXSW

Video killed the radio star, but television revived the Roller Derby. A much blathered about contact sport, today associated with tough girls, tattoos, and tantrums, the Roller Derby owns a tortuous history, which begins in the Thirties, when film publicist Leo Seltzer was hard up for a new pastime to broadcast. With dance marathons and…

A Corking Week in Soccer

It’s a corking week in soccer around the world, really – Chelsea’s splendid comeback to tie Tottenham Hot­spur in the FA Cup (earning a replay with their North London rivals this coming Monday) … the Houston Dynamo’s Champions Cup showdown with Mexican giants Pachu­ca this Thurs­day … the last week of the regular season for…

“Joe Swanberg’s Quiet City”

That can’t be right. Aaron Katz wrote and directed Quiet City, which premiered yesterday and will play two more times this week (4pm March 14 and 1:30pm Mar. 16, both at the Alamo South Lamar). Didn’t he? He did, but there’s a funny story here. Better to let Joe and Aaron tell it in their…

Quick, to your blogs!

Just as the geeks begin to disperse, Viacom sues YouTube for over $1 billion in copyright damages. Hey! Everybody come back so we can discuss it in person! Had Viacom’s announcement preceded this panel, how different it might have been. As it is, my heart’s still with the audience member who quite reasonably pointed out…

UT Women’s Basketball Coach Jody Conradt Retires

Jody Conradt confirmed Monday night what Lady Longhorn basketball fans had wondered about for weeks – would the iconic women’s coach retire this year? After two consecutive disappointing seasons, logic held that she would. But the suddenness of her announcement – just 15 minutes after learning of the team’s failure to qualify for the NCAA…

Bong Hits 4 Free Speech!

When the Olympic Torch Relay came through Juneau, Alaska, in 2002, high school senior Joseph Frederick was ready: as the relay passed through the neighborhood Frederick stood on the sidewalk – not school property – and unfurled a large banner that read “Bong Hits 4 Jesus.” What, exactly, that meant is open to interpretation. Could…

Wranglers Lose 60-51 to the Georgia Force in Atlanta

After winning their season and home opener last weekend over the Las Vegas Gladiators 57-36 Austin traveled to the Philips Arena in Atlanta and lost to the Georgia Force 60-51 Sunday afternoon. After trailing for most of the game Austin got within two with 46 seconds left and made a failed onside kickoff attempt which…

Doh! Homers love SXSW

For many indie films, fests like South By Southwest function as cast and crew screenings. Moms and Dads fill the seats. Cousins and extras and gaffers laugh at anything and everything. But the crowd at the Dobie to see Love and Mary Sunday night might set a new record for homerism. First a second screen…

Review: The Green Room

What’s it like in Room 19A (or is it 19B), the extremely well-hidden lair for panelists awaiting deployment? Nobody’s huddled on the floor around the available outlets, for one thing. There’s a TV that isn’t even on. But it’s the little touches–the abstract sculpture, the potted plants, the tiny Perrier–that makes a visitor sad to…

Conversations in Line

Re: Elvis & Anabelle: Director Will Geiger and his crew “captured the colors of the Texas sunset perfectly.” Couldn’t be truer. This beautiful, quirky love story, filmed in Austin and Pflugerville, hypnotized in hues of blue and pink skies and bright yellow sunflowers. And actors Max Minghella and Blake Lively (whom you might remember as…

Campaigns for and Against

So my Saturday started with another scolding from David Hartstein because I missed the Friday midnight screening of Mulberry Street, during which he had texted messages like “RATS!” “RATS!!!” and “MULBERRY STREET, MOTHERF***ER!!!” to let me know the self-imposed ruination of my Festival experience had begun in earnest. He tells me little more than he…

So, What’d You Shoot On?

Maybe I should care, but I don’t. I so don’t care what camera a filmmaker uses or what film or whatever. But it’s the same every time. No Q&A is complete without The Question: “So, what did you guys shoot on?” And The Question only leads to more of the same: funding, distribution deals. Yuck.…

“Big Bucks, Big Pharma”

“Big Bucks, Big Pharma” 2005, NR, 45 min. Directed by Ronit Ridberg, Narrated by Amy Goodman. Pulls back the curtain on the multi-billion dollar pharmaceutical industry to expose the insidious ways that illness is used, manipulated, and in some instances created, for capital gain.

Kenny

If you can only see one movie this Festival. If you work late hours, and think the daytime hours are for the birds. If you have any sense of humor at all, my money’s on Australian hit Kenny, a Jacobson family mockumentary about Kenny Smyth and his business of poo. Seriously. This is some of…

Timing Is Everything

Planning on seeing a film or go to a panel on Sunday? Well, don’t forget to push those clocks ahead an hour for Daylight Savings Time. Remember, spring ahead – or face a harsh landing.

Bridging the Online Cultural Divide

The panelists: Journalist Laina Dawes, Writing is Fighting. Samhita Mukhopadhyay, Editor of Feministing.com. Jason Toney, Lead Producer, Disney Online (formerly blogster of Negro Please), and Lynne D. Johnson, Senior Editor of fastcompany.com Wow. All black and brown faces on this panel. It makes me happy and sad to say that. Happy because diversity is good…

Michael Moore’s Minions

Manufacturing Dissent, a documentary that takes a close look at the fimmaking methodology of Michael Moore, is making its world premiere at SXSW. Made by a couple of leftist political activists from Toronto, Debbie Melnyk and Rick Caine, the film comes not from the usual right-wing bashers of Moore but instead from a couple of…

‘NFL Analysis 101’: The Last of the Southern Belles

Good day, my pupils. We need to dive right into the heart of our subject. Since last we met, much has happened all across the NFL, but no team has made a splash like Detroit, and the cold waves can be felt from coast to coast. By trading defensive end James Hall to St. Louis,…

SXSW Platters

Future Clouds & Radar (The Star Apple Kingdom) Guitarist for Austin’s former Cotton Mather, Robert Harrison is nothing if not ambitious. The debut of his new local act, Future Clouds & Radar, sprawls like Tolstoy over two CDs, which would’ve amounted to at least six sides in the White Album era. An amorphous entity with…

State Fair

Recognizing the pictures, but also the kinds of spirits who appreciate them: the Texas Film Hall of Fame Awards

SXSW Platters

Peel(Peek-a-Boo) Austin has a deep commitment to the slacker ethic, which, despite a common misconception, isn’t an enervate impulse. The slacker doesn’t lack drive but rather is so overwhelmed with the paradoxical possibilities of boredom that embracing purposelessness becomes an ethical imperative. Enter Peel. The local quartet’s self-titled debut is a sonic slacker treatise and…

SXSW Platters

Grand ChampeenDial T for This (In Music We Trust) Fourth time’s the charm! Grand Champeen has had its flashes of brilliance in the past, but where 2003’s The One That Brought You fired far more bar band than studio savvy, Dial T for This overflows with pop hooks that would make Cheap Trick purple with…

Naked City

Quote of the Week “Clean darky.” – KVET deejay Sammy Allred, satirizing Joe Biden’s characterization of Barack Obama as a black candidate who is “clean.” The remark drew complaints, and spineless KVET management suspended Allred. Headlines• Wal-Mart representatives visited Northcross Monday for an open house intended to impress upon residential neighbors, mostly opposed to the…

SXSW Platters

Wolf & CubVessels (4AD) Time to put to rest the comparisons bet-ween Wolf & Cub and countrymen Wolfmother based primarily on the names. The latter play bong-quaking retro rock, while the former deliver bong-rattling retro rock. Touring together hasn’t helped matters, but there are more-than-subtle distinctions between the bands. And it’s a difference that’s as…

SXSW Platters

The Holmes BrothersState of Grace (Alligator) No surprise that Willie Nelson, Van Morrison, and Peter Gabriel wanted to perform with NYC’s Holmes Brothers. The trio – skinbeater/singer Popsy Dixon, low-end shepherd/vox Sherman Holmes, and strummer/ivory tickler/vocalist Wendell Holmes – is an out-and-out jukebox of African-American music. More proof on State of Grace, their 10th album…

TYC Trouble

Mounting frustration in Lege over Perry’s lack of action toward allegations of sexual abuse and cover-ups within TYC facilities

Before the Flood

In the struggle between local environmentalists and developers, Laura Dunn’s documentary reminds us, Barton Springs was only the beginning

Food-o-File

Remembering Russell Altenhof; plus, the Food Network finds us so irresistible that they’d like to put us on a plate and sop us up with a biscuit

SXSW Platters

Sunny SweeneyHeartbreaker’s Hall of Fame Honky-tonk heartbreaker Sunny Sweeney screams country. Make that twangs. Heartbreaker’s Hall of Fame doubles as the twentysomething’s local debut, but it demonstrates the self-assurance of someone much more accomplished. Backed by a who’s who of countrymen – drummer Tom Lewis and guitarist Tommy Detamore, who are also responsible for production,…

TCB

Beyond borders with Austin’s Lonesome Heroes, U2 tribute band Mysterious Ways, Whiplash the Cowboy Monkey, and a bunch of SXSW international bands with their fingers crossed.

SXSW Platters

Loney, DearLoney, Noir (Sub Pop) If Scandinavian freak-folk needs a savior, then Sweden’s Emil Svanängen may be it. Performing and recording under the Loney, Dear moniker, Svanängen has been haunting his parent’s basement for years, cranking out rather twee recordings that share sonic wavelengths peculiar to Brian Wilson and the transcendent, clairvoyant Sufjan Stevens. Backed…

Arts Review

Rarely has Austin seen a play or production with as much of a social conscience as Naomi Wallace’s Slaughter City, as staged by the UT Department of Theatre & Dance

SXSW Platters

The Broken WestI Can’t Go On, I’ll Go On (Merge) The Broken West’s debut sports a big, masculine sound strangely lacking in swagger but with a sensitivity that never devolves into emo self-consciousness. If the L.A. quartet’s confident power-pop were to approach you in a bar, it would take the form of the guy every…

Arts Review

Tennessee Williams’ The Glass Menagerie may have been done to death, but the strong cast of the Austin Shakespeare Festival production makes this masterpiece come alive again

In Print

Chocolate in Mesoamerica: A Cultural History of Cacaoedited by Cameron L. McNeil University Press of Florida, 542 pp., $75 Chocolate in Mesoamerica: A Cultural History of Cacao is an extensive collection of multidisciplinary essays that shed light on the latest discoveries regarding the cacao tree, its history of uses in ancient Mesoamerica, and the rituals…

SXSW Platters

Lily AllenAlright, Still (Capitol) Already a superstar in England at the ripe young age of 21, Lily Allen arrives as a tongue-in-cheek corrective to much of what’s wrong with hip-hop. To those who believe the best way to riches is rapping about bitches, here’s a white woman offering her perspective. Over Specials samples and toaster-ready…

Arts Review

Owen McAuley’s late-night landscapes lit by street lamps and other artificial sources are all strikingly beautiful, but some struggle to achieve a sense of mystery

Readings

In that it is forever incomplete, Brown’s sixth and final novel should arguably be exempt from criticism

Iraq in Fragments

This multiaward-winning documentary was two years in the making and tells stories about modern Iraq in the words of civilians of various ethnicities.

Readings

In this a talky, bawdy book, Jane Smiley says a lot about the vapidity of Hollywood and even more about the humanness of the 21st century American

Miss Potter

This Renée Zelweger movie about the life of Peter Rabbit author Beatrix Potter lacks dramatic tension and a sense of purpose.

Capitol Briefs

• Two more state reps last week entered the increasingly crowded field of lawmakers seeking to regulate the use of electroshock Taser guns, with bills that seek to further regulate their use. San Antonio Democrat Trey Martinez Fischer filed House Bill 1535, which would require training and weapon registration for all civilian Taser owners –…

300

Both Frank Miller’s comic about the legendary battle of Thermopylae and Zack Snyder’s cinematic adaptation are bloodthirsty affairs, awash in spectacle.

Believe in Me

Despite all its clichéd moralizing and blatant borrowings, the movie does offer a few clever twists on an old sports-movie formula.

Michael & Us

Canadian filmmakers Debbie Melnyk and Rick Caine set out to celebrate a lion of the left. They ended up with something a little different.

Mummies: Secrets of the Pharaohs

Mummies: Secrets of the Pharaohs 2007, NR, 45 min. Directed by Keith Melton, Narrated by Christopher Lee, Starring William Hope, Crispin Redman, Nasser Memarzia, Daud Shah, Boris Terral, Elana Drago. Modern-day forensic adventures unravel the historic past – with narration by a master of the crypt, Christopher Lee.

The Few

A former Marine’s unfiltered photography leads an American documentary crew into Darfur

SXSW Platters

Razorlight(Universal/Motown) Sometimes the sophomore slump yields Razorlight. Bookended by “In the Morning,” the hangover following the London quartet’s splashy Up All Night, and anthemic closer “Los Angeles Waltz,” Razorlight shoots from the hip noticeably more immediate than the group’s more manicured 2004 debut. The run-and-gun nature of second albums sometimes boils a band down to…


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