Posted inScreens
Horror Icons Bill Moseley and Lin Shaye Bury Expectations in Scared to Death
The two legends of the scary screen discuss their own real-life spooky experiences
Richard Whittaker
The Chronicle's first Culture Desk editor, Richard has reported on Austin's growing film production and appreciation scene for over a decade. A graduate of the universities of York, Stirling, and UT-Austin, a Rotten Tomatoes certified critic, and eight-time Best of Austin winner, he's currently at work on two books and a play.
Posted inScreens
AFS to Host Tribute to Late Actor Bill Wise
Memorial to include rare screening of Apollo 10½
Posted inFilm Review
The Python Hunt Review: Mass Murder in the Everglades
Xander Robin’s subtly shocking documentary about Florida’s amateur snake hunters
Posted inFilm Review
LifeHack Review: Cybercrime Flick Never Escapes the Small Screen
The latest screen life escapade from producer Timur Bekmambetov teaches kiddie hackers some lessons
Posted inFilm Review
Is God Is Review: Bloody Revenge Burns
Aleshea Harris successfully transforms her tragedy from stage to screen
Posted inFilm Review
Obsession Review: You Can’t Spell “Possessive” Without “Possess”
Love goes gruesomely awry in this horror twist on the needy partner
Posted inArts
Sparkling in the Darkness at the Texas Burlesque Festival
Founder Terri Lynn Raridon bares all about what the fest says about striptease today
Posted inFilm Review
The Wizard of the Kremlin Review: Inside the Political Mind of Russia
Paul Dano gives a chilling masterclass in understatement as Putin’s right-hand man
Posted inScreens
Paramount Summer Classic Film Series Finds New Homes as Historic Theatre Closes for Renovation
The venue may change, but the films still remain classics
Posted inScreens
Death Comes Ahead of Schedule in Owen Egerton’s Whistle
The writer explains his idea of a bloody good time at the movies
Posted inFilm Review
The School Duel Review: A Different Kind of School Shooting
Merciless and very American riff on Battle Royale shows we may be past satire
Posted inFilm Review
Two Women Review: Sex and the Married Woman
Remake of classic Canadian raunchy comedy swaps farce for observational humor