Peel

(Peek-a-Boo)

Austin has a deep commitment to the slacker ethic, which, despite a common misconception, isn’t an enervate impulse. The slacker doesn’t lack drive but rather is so overwhelmed with the paradoxical possibilities of boredom that embracing purposelessness becomes an ethical imperative. Enter Peel. The local quartet’s self-titled debut is a sonic slacker treatise and call to (in)action. The album’s an urban sprawl of restlessness that delights in a crashing din – horns, keys, big guitars, and bigger backbeats – all competing with fervently shouted vocals for a wonderfully pointless crescendo. Opener “Oxford” bounces with unbridled energy and disgust, as does the anthemic “In the City.” “Sliding Doors” works Rolling Stones indifference across bluesy riffs, while “Tejax” and the Pynchon-esque paranoia of “1949” display Josh Permenter’s lyrical penchant for premier slackers Pavement. If Richard Linklater ever documents 21st century urban malaise, someone should slip him some Peel. (Wednesday, March 14, Blender Balcony @ the Ritz, 8pm)

All Showcases Subject to Change

***

This article appears in March 9 • 2007.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

SUPPORT US

Doug Freeman has been writing for the Austin Chronicle since 2007, covering the arts and music scene in the city. He is originally from Virginia and earned his Masters Degree from the University of Texas. He is also co-editor of The Austin Chronicle Music Anthology, published by UT Press.