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Feed your brain at this convo featuring "All Shades Considered" artists Anthony Flores, House of Kenzo, Michael Anthony Garcia, p1nkstar, and curator Ben Aqua. The topic: "It's Cooler in the Shade."

This is a stage adaptation of Anondra “Kat” Williams' short stories about black girls in love. Featuring Faith Anderson, g’beda, Allegra Jade Fox, and Oktavea L. Williams, directed by kt shorb and Simone Raquel Alexander for GenEnCo. Join them for opening weekend as part of your Austin Black Pride celebrations!

Ben Aqua curates a group exhibition of 17 QPOC Texans making art in photography, digital collage, illustration, performance, fashion design, new media, video, and painting to better visualize the artists' lived experience as brown queers in the Lonestar State.: Artists include: Adiean, Anthony Flores, Ben Aqua, Claudia G Aparicio Gamundi, Diego Mireles Durán, Henry N Rodriguez, House of KENZO, Isaiya Venegas, Josue Hart, Manuel Morales, Michael Anthony Garcia, Natalia Rocafuerte, Niko, p1nkstar, Jp Rivfe, Josh Garcia, S Rodriguez, Saakred, and Wayne Dean. Use #AllShadesConsidered on the gram!

During 2018, Medearis – known to millions as The Kitchen Diva – donated several books, manuscripts, photographs, awards, and research papers to the Carver Museum. Now, they’ve been curated and presented as this new exhibition.

Witness here an array of life-sized and larger works recently created by Meena Matocha, the artist having wielded charcoal, ashes, soil, acrylics, and wax to create paintings that "combine abstraction and figuration, exploring the space between grief and joy, the place where heaven and earth converge."

Ground Floor Theatre and Deaf Austin Theatre are holding auditions for this Tony-winning musical, to be directed by Lisa Scheps and Brian Cheslik for performances in December. This production will be fully deaf inclusive, with each character double-cast with a deaf actor and a hearing actor (some characters are deaf and some hearing). See website for details and appointments.

In her first solo show at Canopy's anchoring gallery, Rehab El Sadek conceptualizes a meditative journey through personal past and the ancient world, drawing inspiration from classic architecture, modern architectural theory, world literature, and historical texts. And the Chronicle's Robert Faires reviews the show right here.

Founding members of the Austin-based Black Mountain Project – Adrian Aguilera, Betelhem Makonnen, and Tammie Rubin – debut a new body of work in sculpture, photography, text, and video. Also on display at the Carver: "Re-Membering Is the Responsibility of the Living," an installation by Taja Lindley.

What does Dana Robinson use to create her monoprints? Images that circulated in printed advertisements, images from which she's removed traces of exploitative white-dominated capitalist visual language to allow the individuals pictured to regain their agency in the world. Images from vintage Ebony magazine ads, in this show.

This new show features works by Annie Darling and David Elliott, the paintings and sculpture on display here offering each artist's own vision – always colorful, sometimes dazzling – of our quickly expanding and changing city.

Here's a new and detailed look at the history of the Arts and Crafts movement in Britain and America, showing how it transformed the homes and lives of ordinary people and how it continues to influence modern design.

That four-time Tony winner Terrence McNally explores the rich history of the Ballets Russes, Sergei Diaghilev’s itinerant Russian ballet company, in this newest play of his. See what happens in the the tempestuous relationship between Diaghilev and dancer Vaslav Nijinsky – as directed by Peter Rothstein for Zach Theatre, featuring choreography by Kelli Foster Warder. And here's that Robert Faires with a review!

This local comic's been lighting up your screens all over, especially on that "Baskets" show, and we reckon the smart crowd's gonna be packing the theatre for these shows. Suggestion: Get your tickets early.

OK, then: Get in line early, all you snowcrashers.

It's the city's best cinematic tie-in, we're thinking, as 19 amazing artists pay graphic tribute to Godzilla, the king of the kaiju, the master of all monsters – and his fiercest foes and greatest allies. Originals and prints available among many monstrous machinations.

This new solo exhibition of two-dimensional and sculptural works by Brooklyn native Kambui Olujimi, now on view in the Blanton's Contemporary Project gallery, will revitalize your awareness of what's coordinated and universal. And, listen, the Blanton now stays open until 8pm on Fridays – through July 26.

Abraham Cruzvillegas’ vibrant artistic practice begins with the concept of autoconstrucción, an idea rooted in transformation, exchange, and play. During the exhibition, a series of site-specific sculptures will be enlivened through music, performances, workshops, cooking, storytelling, artmaking, skateboarding, and more, in activations led by the artist’s collaborators from Mexico City and community partners from Austin. See our feature article for more.

Here's the 15th annual exhibition at Austin City Hall, presenting a wide array of painting, sculpture, drawing, and other media by 113 local artists. This year, the exhibition includes a special selection of photographs: The Bold Beauty Project of Texas, featuring images of Texas women with disabilities taken by photographers from across the state.

This is a curated collection of works from artists Kathy Buist, Katherine Houston, and Jaime Kirkland.

If you're standing at the crossroads of wood and sculpture, one of the talented giants you'll see landmarking that intersection is James Surls. If you're at the Umlauf Sculpture Garden and Museum for this new show, you'll be amazed by more than 30 of that maestro's works – his iconic, surrealistic wooden creations as well as a few of his giant steel and bronze structures. Note: This is, surprisingly, Surls' first solo exhibition of sculptures in Austin.

This is the WWG's sixth solo show with local figurative painter Patrick Puckett, the artist's larger-than-life canvases deploying the color red to lend his singular figures an undeniable presence.

Jennifer Ling Datchuk disentangles histories and traumas through objects (teacups, dinnerware) culturally associated with womanhood, using porcelain "to speak in dualities – especially of fragility, resilience, and ultimately the struggle between diversity and the flawless white body."