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More record label shuffles for the Meat Puppets, the Hole in the Wall gets bigger, Ray Benson gets taller, and music lawsuits get uglier

What we’re listening to

Gay Place lays out a week as packed as a drag queen's lingerie

Perry's vision of Texas rests on willful blindness

The Mueller deal is done, but that doesn't mean the process is over

Local T-shirt makers get an unexpected boost -- a lawsuit from their target.

Introducing Austin's patron saint of musicians, Saint Cecilia

Box Sets

A 15-minute phone interview with the Beach Boys visionary Brian Wilson

Neighborhood Concerns

Your weekly horoscope, August 25-31

Looking forward ... 2020 could go either way

A fine creative team works to reimagine a myth, its own play, and love itself

Tapestry Dance Company's season premiere was a swingin' jazz affair that made the Paramount Theatre feel like a smoky little club between Birdland and heaven

Court ruling ends five-week trial with a mandate to Legislature to design a new system

Our readers talk back.

Readers seeking "objectivity" won't find it here; the Chronicle is dedicated to advocacy and opinion, and always has been.

Our readers talk back.

Is In in or is Out in? Is Out in In? Or is In in Out? Is In out? Out isn't even in Austin. In is. Why did we think of Out? This is about In. In is out. It is. Isn't it? Ouch.

Three years after leaving Austin for Hollywood, comics Chip Pope and Howard Kremer still aren't celebs, but with pilots for HBO and Comedy Central and a willingness to schmooze, they've come agonizingly close.

Notes on the music scene, the music seen, the music herd, and the music heard.

America's premiere archival roots label celebrates the big 4-0.

Light rail: "It's the future, stupid."

In 1971, it was unusual to hear a six year old use the "F" word. Especially in the context in which Sterling had used it.