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The Miró Quartet examines our national character and finds some of America's lights still shine brightly

This is not the 9/11 film we expected from Stone, who tells the fact-based story of two individuals who somehow survived the collapse of the World Trade Center and with a remarkable economy of expressionistic detail and bombast.

This Richard Price story about simmering racial tension that boils over during the course of a police investigation is choppy and erratic.

Anne Ducote's solo exhibition at Hyde Park Bar & Grill covers landscapes and passages that lead the viewer toward a welcoming valley or pathway

The UT Wind Ensemble's premiere of John Corigliano's Circus Maximus' was more than a concert; it was an event

Two years after her debut with the Austin Symphony at age 14, Caitlin Tully offered a superb, assured performance, with a cool mastery of a demanding Sibelius concerto

John Graves' 'Myself and Strangers' finds the 83-year-old looking back at his past and into his future

On the first anniversary of the American-led invasion of Iraq, the Austin Symphony offered a pleasing variety of views of the American landscape through music by 20th-century composers

Garry Trudeau and Robert Altman had an answer the last time a Bush was in the White House

Despite some terrific moments, Philip Roth's words fail to stick to the screen.

Ether Ore

A concert showcasing a variety of tempos, intensities, and moods -- from cheeky Beethoven to hypnotic Kilar -- made this particular outing of the Austin Symphony with the Eroica Trio a memorable success.

To accompany the screening of Alexander Nevsky, Eisenstein's 1938 epic film about the 13th-century Russian hero and the army he led to defeat a German invasion, maestro Peter Bay led his own army -- some 200 musicians from the Austin Symphony and Conspirare choir -- that performed Prokofiev's epic score with grandeur and a stirring power.

The author offers notes for a poem that tells how the America of our hearts is a forgotten country.

The state's textbook adoption process focuses more on pleasing everyone than on teaching children.

Catholic school boys and comics.

Bach's St. Matthew Passion is a behemoth of a choral piece, but Craig Hella Johnson and his New Texas Music Works Conspirare Symphonic Choir achieved a near-flawless evening of graceful, sometimes powerful song.

Robi Polgar responds to the November concert of the Austin Symphony Orchestra, featuring the premiere of Austin composer Darden Smith's Grand Motion.

Hangover Soup