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In her latest project, singer Petula Clark sets aside her image as chirpy pop starlet to play mad screen diva Norma Desmond in the musical version of Sunset Blvd. Clark tells Stephen MacMillan Moser how she came by this radical departure in roles.

G-L-O-R-I-Aftermath

South by Southwest Music panels remain as star-studded as actual showcases

Curator Annette Carlozzi Returns to Austin's Arts Scene

Like Lennon & McCartney's 'Two of Us' – Patti Smith and Robert Mapplethorpe

Raul Alvarez and Rafael Quintanilla head into a runoff for the Place 2 seat June 3.

The boards of the two museums have voted to merge, but what does that mean?

Gore vs. Bush vs. Nader vs. Ventura vs. Hernandez vs. Simone, approximately.

Our readers talk back.

LZ Love's reveal: dance music!

Creative Opportunity Orchestra's Fifth Annual New Jazz Series

UNdeniably queer, summer

James Allridge was sentenced under death penalty laws with no gray areas

Lighting strikes twice in Austin, and Pleasure Venom opens

Women's group ponders its future with parent organization

Mexic-Arte blazed a trail in Texas by making a place for Mexican culture in a museum

Edwin 'Bud' Shrake and Stephen Bruton

Austin art is getting national buzz, but is anybody buying it?

Our readers talk back.

Headlines and happenings from Austin and beyond

As its title suggests, Preaching to the Perverted is unlikely to deliver much that's new to its expected audience. Still, Holly Hughes' new solo piece serves as both intelligent entertainment and rousing battle cry for those who see all too clearly the many faults in the logic of the mainstream.

They just nabbed two festival awards, next up is HBO, and Ed Wood is their greatest influence. Meet Austin's most successful 12-year-old filmmakers.

George Jones comes to Austin and everyone gets arrested in the melee. Meanwhile, Matthew McConaughey gets naked and busted, and Austin's answer to Santana, Vallejo, signs with Gloria Estefan's Sony imprint. Maybe K-NACK, a local alt.rock station from earlier this decade, can play them online as the station returns -- on the Internet.

For the last two years Miranda July's work in fanzines, performance art, music, and movies have allowed her to support herself off her art. "No day job" - how many performance artists can say that?