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The Happy Couple

This Last Act Theatre show depicts a couple's nice life unraveling with equal parts tension and release

Reviewed by Jillian Owens, May. 23, 2013

The Cruel Circus

Though often entertaining and quite humorous, this Trouble Puppet show seems to be missing something

Reviewed by Adam Roberts, May. 23, 2013

Body & Soul

The flamenco artists worked to build the energy and tension throughout, but that goal proved hard to achieve

Reviewed by Natalie Zeldin, May. 23, 2013

The Winter's Tale

Tango and samba fit quite well in Austin Shakespeare's production of this romance, but the actors can't quite find the beat

Reviewed by Robert Faires, May. 16, 2013

Passing Strange

Half & Half Productions' debut about a young black man's journey of self-discovery was hampered by its mall storefront location

Reviewed by Matthew Irwin, May. 16, 2013

Giselle

Several Ballet Austin dancers rose to the challenges of this classic of romantic ballet

Reviewed by Jonelle Seitz, May. 16, 2013

The Chimponauts and the Mechanical Phantom

It may help to know sci-fi B-movies, but this space spoof by Electronic Planet Ensemble is silly fun for everyone

Reviewed by Matthew Irwin, May. 9, 2013

HIT.

Shanon Weaver's play puts a spin on the hit-man genre with some unusually gentle and refined assassins for hire

Reviewed by Elizabeth Cobbe, May. 9, 2013

'Everything'

Observations on the artist in this group show who doesn't give an eff what I think

Reviewed by Matthew Irwin, May. 9, 2013

Noises Off

Austin Playhouse stages this chaotic, ridiculous backstage farce with precision and fun

Reviewed by Elizabeth Cobbe, May. 2, 2013

Good People

In wrestling valiantly with David Lindsay-Abaire's tough play, the artists of Different Stages prove themselves good people

Reviewed by Adam Roberts, May. 2, 2013

Faust

Austin Lyric Opera closed its season with a haunting and powerful production of Gounod's devilish work

Reviewed by Natalie Zeldin, May. 2, 2013

Austin Is a Place (You Are Here)

Theatre En Bloc experiments with telling the story of our city's growth but fails to be specific about it

Reviewed by Dan Solomon, Apr. 25, 2013

Urinetown: The Musical

Texas State University's delightful staging showed off all the strengths of its musical theatre program

Reviewed by Jillian Owens, Apr. 25, 2013

Roots and Wings

The works in Dance Repertory Theatre's spring program proved unexpectedly timely in a week of unrest and anxiety

Reviewed by Jonelle Seitz, Apr. 25, 2013

Mad Beat Hip & Gone

Steven Dietz's play about the Beats might best be considered as the kind of literary experiment they engaged in

Reviewed by Elizabeth Cobbe, Apr. 18, 2013

The Importance of Being Earnest

At Mary Moody Northen Theatre, Oscar Wilde's comedy is not only wonderfully expressed but played with remarkable accuracy

Reviewed by Adam Roberts, Apr. 18, 2013

String Theory

Generous performances from violinist Stephanie Sant'Ambrogio and pianist Gregory Allen made this an impressive recital

Reviewed by Natalie Zeldin, Apr. 18, 2013

An Obviously Foggot

Bastion Carboni's new play is a confrontational mess, but it's vital in its commentary on bigotry within gay communities

Reviewed by Dan Solomon, Apr. 11, 2013

Fit for a King: J.S. Bach's Musical Offering

La Follia's well-crafted program of music by Bach exposed the energetic and dynamic Baroque spirit

Reviewed by Natalie Zeldin, Apr. 11, 2013

'Kelly O'Connor: Last Resort'

Kelly O'Connor's exhibit gives visitors a chance to escape into a fractured version of mid-century Vacationland

Reviewed by Wayne Alan Brenner, Apr. 11, 2013

Adam Sultan

In marking the future deaths of local theatre artists, Physical Plant celebrates their community today

Reviewed by Wayne Alan Brenner, Apr. 4, 2013

Everyone Says That at the End of the World

It's wacky and wise, this apocalyptic riot

Reviewed by Wayne Alan Brenner, Apr. 4, 2013

A Minister's Wife

This musical version of G.B. Shaw’s ‘Candida’ is exactly the right size for Austin, cozy with room for plenty of nuance

Reviewed by Jillian Owens, Apr. 4, 2013

'Abstraction: Take 3'

A rhythmic joining of three disparate bodies of work, this Davis Gallery show creates a compelling harmony of color and pattern

Reviewed by Wayne Alan Brenner, Apr. 4, 2013

'Sonya Berg'

In her show at Tiny Park Gallery, Berg's painted-over photographic collages vividly, beautifully, redefine art

Reviewed by Wayne Alan Brenner, Mar. 28, 2013

The Elementals: Earth

Vortex Repertory Company's ritualistic celebration of earth may make you want to dig your toes into the dirt

Reviewed by Robert Faires, Mar. 28, 2013

Slowgirl

Hyde Park Theatre transports us to Costa Rica's jungle for an awkward but affecting meeting of uncle and niece

Reviewed by Jillian Owens, Mar. 28, 2013

Lady Windermere's Fan

Austin Playhouse's take on this Oscar Wilde treat is straightforward and buoyed by terrific performances

Reviewed by Jillian Owens, Mar. 21, 2013

Goodnight Moon

Zach Theatre's production pleases and would be as pleasing to return to as Margaret Wise Brown's book

Reviewed by Robert Faires, Mar. 21, 2013

'Wunderkammer: Mark Johnson & Debra Broz'

This 'cabinet of curiosities' from artists Broz and Johnson works best when the art is specific and personal

Reviewed by Matthew Irwin, Mar. 21, 2013

Figure in the Frame

The exhibit Arnold Newman: Masterclass gives us all a lesson in the power of the photographic portrait

Reviewed by Katherine Catmull, Mar. 13, 2013

The Girl With Time in Her Eyes

Hidden Room Theatre's crafty techno-noir turned an ordinary audience into an army of smartphone-wielding detectives

Reviewed by Robert Faires, Mar. 13, 2013

The Rite of Spring

Joffrey Ballet's reconstruction of the 1913 Nijinsky ballet gave audiences a frame of reference for dance history

Reviewed by Jonelle Seitz, Mar. 13, 2013

A Certain Reality

All three artists in this grayDUCK Gallery show present characters with a depth of backstory that amazes

Reviewed by Wayne Alan Brenner, Mar. 13, 2013

Intimate Apparel

The loneliness of an African-American seamstress in 1905 is staged with powerful honesty by UT

Reviewed by Elizabeth Cobbe, Mar. 7, 2013

Othello

With a gripping turn by Andrew Bosworth, this City Theatre production of Shakespeare's tragedy belongs to Iago

Reviewed by Jillian Owens, Mar. 7, 2013

Wendy Wagner: Look to the Left

Wendy Wagner's cartoonish world celebrates escapism from the doom of cancer to a world of positivity

Reviewed by Caitlin Greenwood, Mar. 7, 2013

A Steady Rain

A Chick & a Dude Productions keeps this drama of Chicago beat cops challenging and engaging from start to finish

Reviewed by Elizabeth Cobbe, Feb. 28, 2013

Beauty Is the Best Priest: Short Plays of the Harlem Renaissance

Despite some flaws, this ACC Department of Drama production provides valuable insight into the Harlem Renaissance

Reviewed by Adam Roberts, Feb. 28, 2013

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