arts reviews 1,525 results
Austin Playhouse succeeds in booking a funny flight to Madcap Farce City
Adam Roberts, Feb. 16, 2012
Strong performances make this musical about mental illness worth seeing
Elizabeth Cobbe, Feb. 16, 2012
Attaching gang names to mundane objects, the show seems to be one big punch line
Andy Campbell, Feb. 16, 2012
The artist's VAC installation creates an afterimage for the afterworld
Andy Campbell, Feb. 9, 2012
A magnificent-looking and intelligent staging of Tom Stoppard's masterpiece
Jillian Owens, Feb. 9, 2012
Who knew Antarctica was really made of cheese?
Dan Solomon, Feb. 9, 2012
Truth was stranger – and more interesting – than the fiction in this Canadian dance
Jonelle Seitz, Feb. 9, 2012
Delivering the goods on the 2012 FronteraFest Long Fringe
Robert Faires, Feb. 2, 2012
An election-year return to Oz finds the hit musical packing an extra punch
Jillian Owens, Feb. 2, 2012
Lyubov Petrova powers this Lucia with vocal fireworks and nuanced acting
Adam Roberts, Feb. 2, 2012
This tale of a Scotsman who loved and sang country music rang Texas true
Robert Faires, Jan. 26, 2012
A concert which proved that eloquence survives in the age of the sound bite
Robert Faires, Jan. 26, 2012
The artist as data, casting the metrics of her life in visual form
Wayne Alan Brenner, Jan. 26, 2012
The show's brief monologues work like pop songs, conveying universal feelings in condensed form
Robert Faires, Jan. 19, 2012
The music made by the ASO and its guest pianist too often sounded disconnected
Adam Roberts, Jan. 19, 2012
Three very different takes on portraiture provide three reasons to see this exhibit
Wayne Alan Brenner, Jan. 19, 2012
Design takes center stage in Different Stages' revival of Lillian Hellman's drama
Adam Roberts, Jan. 12, 2012
This La Follia concert was to the harpsichord what a fine wine tasting is to vino
Robert Faires, Jan. 12, 2012
This show offers a gleeful thrill like that long, first drop on a roller coaster
Robert Faires, Dec. 29, 2011
Something in the season just makes leaded panes of glass apropos
Wayne Alan Brenner, Dec. 29, 2011
Though touching, this homespun production was inconsistent
Jillian Owens, Dec. 22, 2011
A cocktail of a performance about what it means to send a letter
Elizabeth Cobbe, Dec. 22, 2011
Penfold's staging is a charming complement to the holiday hustle and bustle
Jillian Owens, Dec. 15, 2011
A Latina Scrooge has a change of heart in this sweet adaptation of A Christmas Carol
Robert Faires, Dec. 15, 2011
Tapestry's syncopated take appeals even to those who have sworn off sugarplums
Jonelle Seitz, Dec. 15, 2011
Rare is the theatre company whose debut is as deft and precise as Street Corner Arts' is
Adam Roberts, Dec. 15, 2011
This drama of identity-switching may leave you feeling equally fascinated and repulsed
Jillian Owens, Dec. 15, 2011
El Anatsui charts the geography of Africa from then to now
Robert Faires, Dec. 8, 2011
An innovative use of space marks 7 Towers Theatre Company's debut
Adam Roberts, Dec. 8, 2011
These microdances had beginnings, middles, and ends, and also heart
Jonelle Seitz, Dec. 8, 2011
Among the many reasons to see this show: Randall Reid's evocative sign collages
Wayne Alan Brenner, Dec. 8, 2011
Even fading lights couldn't dim the glow of Austin Playhouse's lovely staging
Jillian Owens, Dec. 1, 2011
In the subgenre of family reunion plays, this new entry struggles to compete
Adam Roberts, Dec. 1, 2011
An ensemble of lovely, lovely actors makes this updated Greek drama great fun
Elizabeth Cobbe, Nov. 23, 2011
Despite the author's absence, Different Stages delivers a fine production
Adam Roberts, Nov. 23, 2011
Don't think for an instant that the work in this show is anything but art
Wayne Alan Brenner, Nov. 23, 2011
Steven Dietz's new adaptation of Schnitzler's Reigen is solid and intriguing
Elizabeth Cobbe, Nov. 17, 2011
This group show boasts striking art worth leaving the Eastside for Hyde Park
Wayne Alan Brenner, Nov. 17, 2011
While maybe not Sam Shepard's best, the play has worthwhile material to chew on
Adam Roberts, Nov. 17, 2011
ALO opens its 25th season with a magical revival of Mozart's opera
Adam Roberts, Nov. 10, 2011