ARTS & CULTURE
Taking back Gilbert & Sullivan’s opera for Asian-Americans
Exploring Nina Raine's award-winning drama
Maya Rudolph & Gretchen Lieberum hit Austin
NEWSLETTERS
AC Daily, Events and Promotions, SXSW Daily Edition

Our latest from SXSW 2016, delivered March 11-20

Breaking news, recommended events, and more

Official Chronicle events, promotions, and giveaways
Stephen Harrigan on A Friend of Mr. Lincoln
The Austin writer reveals the vision behind his portrait of the 16th president as a young man in his new novel
Robert Faires • Jan. 29 issue
Salvage Vanguard Theater's Denim Doves
Adrienne Dawes' play takes the idea of postapocalyptic sister wives in an original, amusing direction
Elizabeth Cobbe • Jan. 29 issue
Southwest Theatre Productions' Exit 27
At its heart, Aleks Merilo's play about boys exiled from their cultlike church is about mind control
Shanon Weaver • Jan. 29 issue
"Cali Thornhill DeWitt: This Magic Moment" at Farewell Books
Nineties youth rebellion meets millennial "meh" and resigned participation in this solo show
Seth Orion Schwaiger • Jan. 29 issue
Artistic Director Richard Buckley on returning to the Carlisle Floyd opera that launched his conducting career
Robert Faires, Jan. 22 issue
Ayad Akhtar's drama delivers a raw, powerful conversation about race without the usual distractions
Shanon Weaver, Jan. 22 issue
Audiences gained much from this program's re-creations of historic dances by Isadora Duncan, Loïe Fuller, and Lucia Dlugoszewski
Jonelle Seitz, Jan. 22 issue
Author Katherine Catmull elegantly summons a fairy-tale timelessness for this YA story of teen anxieties, fairies, and creativity
Rosalind Faires, Jan. 22 issue
The third annual PrintAustin floods our artful river city with multiple originals
Wayne Alan Brenner, Jan. 15 issue
For their new Austin Chamber Music Center collaboration, the pianist and composer crank up the reverb but good
Robert Faires, Jan. 15 issue
The ASO's latest musical tour of Russia took a literary turn
Robert Faires, Jan. 15 issue
The artists' live layering of video and music immersed audiences in images of suffering and transformation
Madeline Irvine, Jan. 15 issue
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