A century on, this grande dame of live performance isn't getting older – she's getting better
VIDEO: Watch the new blade light up for the first time
Landmarks debuts Michael Ray Charles sculpture at UT
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Art in Public Places' TEMPO Program
The city of Austin gets into temporary sculpture in a big way, debuting 10 new works around town this fall
Robert Faires • Oct. 2 issue
Austin's Noir at the Bar Presents Stuart Neville
Irish author of Those We Left Behind trades shots with fellow crime writers Mike McCrary, Jesse Sublett, and Gabino Iglesias
Robert Faires • Oct. 2 issue
New Tweet Dreams Show Debuts at ColdTowne
Improv comedy show taps into the subconscious via social media
Wayne Alan Brenner • Sep. 30, 2015
Austin's One Ounce Opera vs. Nickelback
Almost literally. And that's just part of this event.
Wayne Alan Brenner • Sep. 29, 2015
11 photos by Jana Birchum and John Anderson
Sep. 24, 2015
Homer's boss visits the hilltop in Anne Washburn's hit drama
Robert Faires, Sep. 24, 2015
For five years, the actress has been among the busiest and best on Austin's stages
Caitlin Greenwood, Sep. 25 issue
Actor David Jarrott turns producer to get a drama about Freud and C.S. Lewis onstage in Austin
Robert Faires, Sep. 25 issue
Blue Lapis Light leaves its epic aerial work for an intimate and uniquely compelling dance on scaffolding
Robert Faires, Sep. 25 issue
The exhibit of four Austin artists' work at Pump Project exposes the fun of objecthood
Caitlin Greenwood, Sep. 25 issue
These two collections will rock your heart, brain, and funny bone
Wayne Alan Brenner, Sep. 19, 2015
First Austin show in two months highlights a darker side
Richard Whittaker, Sep. 18, 2015
ACL Review: The Strokes Is This It, new again perennially
ACL Review: Sturgill Simpson So outlaw even an Eighties techno-pop hit becomes hardcore country
ACL Review: Father John Misty The joke’s on us ... or is it on Josh Tillman?
ACL Review: Foo Fighters Sonic Highways, all the hits, and even Gary Clark Jr.