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America's class system goes under a bloody scalpel.

Now a kung-fu master, the panda is no longer a grasshopper

Majesty and mawkishness combine in Christopher Nolan's film about humans' last-ditch attempt to find a habitable planet in another galaxy.

Keanu Reeves’ directorial debut sizzles with mandible-cracking action, political intrigue, and electrifying martial physicality.

Neither a besmirching nor a instant classic, this sometimes clunky prequel in which James Franco plays the Wizard when he was a mere, young huckster also has Sam Raimi's ravishing visuals.

Natalie Portman and Ashton Kutcher play characters who test whether a relationship can remain purely sexual.

This Hornet's a cheesy and borderline-boring cream puff of a vigilante.

Drew Barrymore and Justin Long explore the difficulties of long-distance relationships in this rom-com.

Richard Gere, Ethan Hawke, and Don Cheadle star in this clichéd police drama that's capped by an outlandish third act.

Kristen Bell stars as a woman who pulls three coins from a fountain … and three new beaus in the process.

Hilary Swank stars as Amelia Earhart in Mira Nair's big-budget biopic.

In this delightfully human and sweetly comic ode to the contemporary immigrant experience in a post-9/11 “Amreeka,” a Palestinian mother and son create a world of possibilities.

A misdelivered package of concealed cocaine kicks off events in this comic film starring Donald Faison, Mike Epps, and Mos Def.

Roth has accomplished the near impossible: He's crafted a vastly superior sequel to Hostel, one that supersedes the original's sadistic quotient, gore effects, and narrative subversiveness.

Slow Burn – starring Ray Liotta, LL Cool J, and Mekhi Phifer – becomes one of those movies that’s so bad, it’s almost entertaining. Almost.

Pardon the pun, but audiences will reap little from this satanic backwoods juju thriller.

Sandra Bullock again turns toward the supernatural in this thriller in which she plays a housewife who's uncertain whether her husband is alive or dead.

It’s a soggy true-crime drama – too serious to be trashy, too trashy to be serious.

Nancy Meyers’ follow-up to Something’s Gotta Give mines the same go-girl terrain but is far less interesting, featuring stock characterizations and a blandly upbeat vibe.

Although with Denzel, Jodie, and Clive in tow it would be difficult to go wrong, Spike Lee and screenwriter Russell Gewirtz have created a truly original film from various shopworn genre clichés.

The Hallmark homilies are all there in this family-friendly feature about a cancer-stricken 10-year-old searching for the elusive morpho butterfly, but when the principals arrive in rainforest country, the film shifts gears and begins to breathe.

This lush and horrific anthology film from three of the finest craftsmen working today – Fruit Chan, Chan-wook Park, and Takashi Miike – is an instantly memorable and squirm-inducing assemblage.

This hazy remake pales in comparison to John Carpenter's original fogbanks from 1980.

This banal and lukewarm slice of romantic comedy is as soft and ephemeral as any colorized Ted Turner outing.

Chris Van Allsburg’s magical tale of the Christmas Eve re-education of a Santa-doubting adolescent gets the motion-capture treatment.

Feels like a B-picture, but a smart, finely tuned one that wouldn’t have been out of place in Roger Corman’s mid-Seventies stable.

The fur flies as Halle Berry tempts us in leather.

Ashley Judd thriller is routine at best.

A hip-hop artist and a Jewish American Princess discover that bling-bling makes the world go ’round.