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25% of the state's 1,200 long-term care centers have been cited for serious standard deficiencies

Richard Linklater and Ellar Coltrane reflect on the 12 years they spent making 'Boyhood'

How King of the Hill helped make Texas three-dimensional again

Graveyard Part II

The Last Word in Instrumental Rock

The romance field, Margraet Moser writes, is unique in its symbiosis: Most writers come from the ranks of readers and therefore understand the marriage of reader and book. The sisterhood and moral support in this almost exclusively female dominion is palpable. It is also gratifying and empowering and, in a few cases, exceedingly lucrative.

Carlos Fuentes says he can not imagine a world without Shakespeare and Cervantes, but it is impossible to imagine a Mexico without Fuentes.

The Origin

The Liberating Artwork of Malaquías Montoya

Concert Window allows ATX fest to be streamed online

Even the powerful combination of Johnny Depp and John Turturro can't save this Stephen King film adapatation.

True friends will hound you mercilessly until you get your act together

This Native American romantic comedy, which won the Audience Award at the 2001 Austin Film Festival, arrives in theatres four years late but seasonally right on time.

The Debut of the International Theater Festival at San Antonio

Austin's unassuming superstar is a travellin' man

Sweet and layered Iranian road trip dramedy

The return of Doyle Bramhall

ZooKeeper’s sloth is torpidly glad to see you

This trip through musical Istanbul is a little prettier than it is deep, but it provides a window into the variegated subcultures of a city one musician calls “a bridge crossed by 72 nations.”

Layered St. Vincent mockumentary warps reality and opens a window to artist's heart

Searching for a better tomorrow in Aki Kaurismäki's droll tale of immigrants and restaurants

The bloody spy series returns

Another girl gone in this tedious adaptation

Rebuilding the homes – and lives – displaced by the 2013 Onion Creek floods

Julie Taymor takes the timelessness of the Beatles' music and yanks it earthward into a minefield of literalism.

Nancy Meyers’ follow-up to Something’s Gotta Give mines the same go-girl terrain but is far less interesting, featuring stock characterizations and a blandly upbeat vibe.

Charlize Theron, Stuart Townsend, and Penelope Cruz co-star in this stilted romantic drama set against the background of Europe between the wars.