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The slang-slinging, sewer-dwelling, pizza-loving lot are back.

John Turturro directs himself and Woody Allen in this movie that gently cruises but but never drives it home.

Cameron Diaz, Leslie Mann, and Kate Upton play gals who team together to ruin the mutual philanderer in their lives.

This techno-thriller starring Liam Hemsworth, Harrison Ford, and Gary Oldman arrives inert.

Young Maisie’s divorced parents are negligent, not cruel, in this contemporary take on the novel by Henry James from the co-directors of the Deep End.

This doc about the storied department store stays relentlessly on-message.

This Bollywood picture was mostly filmed in Manhattan and tells the story of a wife and mother who discovers her self-confidence.

Joseph Gordon-Levitt rides like the wind, and Michael Shannon plays his usual nut job, but Bullitt on a bike this film is not.

A downsized Manhattan couple played by Jennifer Aniston and Paul Rudd stumble into a modern hippie commune and begin to reassess their goals in life.

Sensitive to the zeitgeist of the moment, this Brett Ratner film with the A-list cast is a real people-pleaser.

A tangled post-production history kept this Kenneth Lonergan film from completion for six years, and its story about teenage trauma suffers as a result. But, oh, what a cast.

The pleasure of Nicole Holofcener's film – which stars Catherine Keener, Oliver Platt, Rebecca Hall, and Amanda Peet – lies in the honesty of its conversations rather than its plot.

Jennifer Lopez is back with a new romantic comedy about a woman whose biological clock is out of sync with her life.

Confessions of a cranky misanthrope.

Loud, abrasive, and featuring performances seemingly calibrated to be heard over the cacophonous roar of Travolta's mad, bad overacting, this is an unnecessary and ill-advised remake.

Steven Soderbergh directs this DV-cam look at the life of a high-end Manhattan call girl (played by porn star Sasha Grey).

Best friends become enemies when a scheduling snafu places their two weddings on the same day.

August Rush is a rather prosaic, oddly anxious, contemporary take on Oliver Twist, with Robin Williams – in nasty-man twee mode – thrown in for bad measure.

A sizzling cast and their director do a crackerjack job of nailing the look and feel of New York City's bad old days of internal corruption and outer rot.

Julie Delpy debuts as a feature-film director with this smart and funny romantic comedy.

While No Reservations is no Big Night, it's surprisingly winsome in parts, by virtue of Catherine Zeta-Jones' performance, and a romantic fable that lingers on the palette of the mind's eye.

A young Frenchwoman moves to Paris from with nothing but the knapsack on her back and the innocent gleam in her eye.

A small gem of a film about a small man doing small things in a very, very, very large world.

From the director and writer of Secretary comes this odd fictional biopic about this photographer's impulses.

Unoriginal but pleasantly prosaic, Woody Allen's latest is a diverting story of crime, love, and luck that conducts itself with a refreshing absence of moral judgment and omniscience.

This fiction film, in which the lead character is but one cog in a plot to detonate a series of bombs in New York City, portrays a terrorist’s point of view in a jarringly matter-of-fact manner.

Woody Allen literally imagines a scenario as both a comedy and a tragedy, but we can't understand why half of this movie isn't at least amusing.

There are no big surprises in this family picture, but neither is the admonition against working with children and animals appropriate here.

Jude Law's new Alfie is less tramp and more scamp: the modern metrosexual.

Ugg boots, ugh movie. Cuddle-bunny story stars Kate Hudson.