Bill Callahan

Shepherd in a Sheepskin Vest (Drag City)

Texas Platters

Bill Callahan built a 30-year career with his eyes fixed on the outside world, matching existential pondering about landscapes vast and small to soundscapes equally grand and intimate. Seventh studio album under his own name, Shepherd in a Sheepskin Vest narrows its focus to his immediate sight line: domestic life. Since 2013's Dream River, the Maryland native's gotten married, become a father, and returned home to Austin after a brief stint in Santa Barbara. The result? An idyll wellspring: "Well, I never thought I'd make it this far/ Little old house, recent model car/ And I've got the woman of my dreams/ And an imitation Eames," he sings in his rich, signature baritone on "What Comes After Certainty" before going on to name-check Willie Nelson.

Shepherd in a Sheepskin Vest's entirely acoustic arrangement harks to a catalog defined by stillness and moments of quiet revelation. The blooming scales of "Writing," a paean to rediscovering creative voice, are measured in their restraint, punctuated by little more than steel whines. Even in brighter songs like "747," the guitar interplay tempered by a percussive build leaves room for Callahan's curious observations on something as commonplace as air travel: "I woke up on a 747/ Flying through some stock footage of heaven."

So much songwriting centers on escapism, pointing us down untraveled roads toward characters we haven't met. On Shepherd in a Sheepskin Vest, the adopted Texan plumbs the quotidian: marriage and family. Near the end of the 20-song collection, he duets with his wife Hanly Banks Callahan on the American folk song "Lonesome Valley." As their harmonies weave and bob around each other, there's finally a sense that Bill Callahan, 53, won't have to go it alone.

****


A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Bill Callahan
Bill Callahan Finds an Elder Perspective on New Album
Bill Callahan Finds an Elder Perspective on New Album
Paternal dynamics paint the Austin virtuoso's new Gold Record

Rachel Rascoe, Sept. 18, 2020

Bill Callahan Album Review
Bill Callahan Album Review
Gold Record (Drag City)

Kevin Curtin, Sept. 18, 2020

More Music Reviews
Review: Grandmaster, <i>Grandmaster</i>
Review: Grandmaster, Grandmaster
Funk prog rock supergroup lures listeners through each stage of cosmic cult indoctrination

Miranda Garza, May 24, 2024

Review: Nova, <i>NovApocalypse</i>
Review: Nova, NovApocalypse
Experimental folk-pop player Nova’s sophomore release gets twisted

Laiken Neumann, May 24, 2024

More by Abby Johnston
Croy and the Boys, Warpaint, a Metal Fest, and More Crucial Concerts
Croy and the Boys, Warpaint, a Metal Fest, and More Crucial Concerts
Recommended shows for the week

May 24, 2024

Austin’s Crucial Concerts for the Week
Austin’s Crucial Concerts for the Week
Jackie Venson, Grace Sorensen, Monte Warden, and many more

May 17, 2024

KEYWORDS FOR THIS STORY

Bill Callahan

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle