Dah-Veed Savings Time
Dah-Veed (that's David Garza, for you new to town) confirms that he's put his
Jo-Hn Hancock on a major label record deal. He'd been debating for quite some
time whether to go with Capitol or Atlantic, and in the end, the big "A" won
him over. Dah is currently in Philadelphia working on his first album for the
label with producer Stiff Johnson (known for his work with G. Love &
Special Sauce), and more details are expected to come soon. For now, what I've
been hearing about the deal bodes well for Dah, in that he's said to have been
signed by the president of the label, rather than just any A&R person. (As
one local musician recently sighed, "They come and go faster than the
bands!") On the local front, Mark Pratz at Liberty Lunch confirms that
he's got Dah-veed lined up to play New Year's Eve at that venue. Look's like
Dah will be ushering in a very busy 1997 for himself.
Asleep at the Deal
Just because Ray Benson received the "Lifetime Achievement Award" at Monday
night's Texas Music Association dinner (see item below), don't think that
there's any shortage of life left in the Tall Man With One Big Hat. Since
Capitol Records dropped Asleep at the Wheel (and since 14-year Wheel veteran
Tim Alexander retired from the band), Benson's been anything but asleep. "He's
talked to everybody from Shanachie to Sony," says Susan Griswold at Bismeaux
Productions. "Nothing's been inked," she adds, but, referring to the sort of
arrangement that has served Jerry Jeff Walker very well, she adds that, "He'd
be happy if he could have his own record label." Benson's hardly twiddling his
thumbs in the meantime; he's got the Manhattan Transfer (!) coming to Bismeaux
Studios at the end of November to record with the Wheel, and is talking about
possibly recording a live album later this fall.
Mickey Mouse's Willie
The world's most famous mouse may have gotten his start in the cartoon
Steamboat Willie, but who ever thought he'd be associated with another
Willie by the last name of Nelson? Well, the Red-Headed Stranger will be
shooting part of his Disney special, Going Home, not at Steamboat, but
at Antone's later this month. Susan Antone says that details are still fuzzy,
but that the producers called and said Nelson was shooting half of the special
at his place and "wanted to do the rest at his favorite nightclub." Nelson's
publicist says the taping will not be open to the public. That won't be the
only chance you get to see him, though. Sunday, November 10 finds Willie and
friends, along with the Killer Bees, and
Bill Oliver, all "Playin' by the
Pool" at Lake Travis' Resort Ranch. All three acts have volunteered their
services to help pay the outstanding debts of Camp Chautauqua, which exceed
$200,000 following last month's underattended One World Music Festival. General
tickets for the event are $15 advance and kids under 12 are free with parent.
Tickets are available at Antone's Record Store, Lee's Almost by the Lake, and
Pedernales Country Store.
It's Junior's World...
Whoa! Just when you thought Junior Brown had gotten too big for Austin, he's
back. First, he showed up at last week's Walter Hyatt tribute (and subsequent
Austin City Limits taping) and now he's actually doing two nights at his
old stomping grounds, The Continental Club, this Saturday and Sunday.
And he'll be returning there next Sunday, too. Seems the
Mavericks tour, which Brown's been on since April, took a short break after the
Mavs' recent show at the Paramount. This probably explains the incredible news
Steve Wertheimer heard from one of the Mavs; that after their tour ends in
January, Brown will be joining the Metallica tour. "Not true," says Brown's
booking agent, Bobby Cudd of Monterey Artists in Nashville. "They approached us
last year, but Junior was already committed to the Mavericks." But wait,
let's go back to the point where your jaw dropped: Metallica? "Sure,"
says Cudd, "I get a lot of inquires by rock bands about Junior. Yesterday, I
got a call from the Stone Temple Pilots." Seems they wanted Brown for their
upcoming San Antonio show, but he'll be back touring with you-know-who-by then.
The Bands Who Came to Dinner
Less than a week after NARAS had its big Lyle Lovett shindig in the Four
Seasons ballroom, the Texas Music Association had their own fiesta there, this
one honoring our local music industry. Tim O'Connor's Direct Events won
"Outstanding Business," The Austin Music Network won the "Townsend Miller Media
Award," and Austin punk godfather Joseph Gonzales was honored posthumously as
were Walter Hyatt, Grey Ghost, Laveda Durst (aka Dr. Hepcat), and Erbie Bowser.
"Outstanding Artist" went to the Butthole Surfers, and, as I said above, Ray
Benson won the "Lifetime Achievement" award. The most surprising moment was the
awarding of the Roger Sovine Award to ZZ Top manager Bill Ham, who by his own
admission probably did more for Texas mystique with a little ol' catch phrase
for his band than any tourist bureau ad campaign has done in the past 27 years.
I say the moment was surprising because the notoriously reclusive Ham was
actually there to receive the award. Sovine himself presented the plaque
to the publishing magnate, who he termed "not a photo-op type of guy." Long
rumored to be either dead or dying, Ham looked more than fit, with the
Chron's Raoul Hernandez observing, "He's got a pretty good grip for a
dead guy" -- sentiments to which Ham responded, naturally enough, "I don't get
out as much as I used to."
Mixed Notes
I hadn't even realized that James McMurtry was off Columbia Records until
today, but his management confirms that it's so, and that negotiations are
under way to get him onto another label. No specifics were available at press
time, but other sources have mentioned Sugar Hill... Spoon's Telefono
album is being given a second wind by Matador Records in the form of a second,
promo-only single, "Plastic Mylar," which shipped off to radio stations (minus
the word "fuck") a couple of weeks ago. Spoon boss Britt Daniel says he'd be
"kinda surprised if anything happens" as far as the band receiving a
significant boost from the single, and is instead focusing all his positive
vibrations towards an all-new, five-song EP that Spoon plans to have out in
January... The Butthole Surfers and Capitol Records will indeed be going with
the Springsteen-flavored "TV Star" as the second single off
Electriclarryland. The label also plans to service "Whatever (I Had A
Dream)," the Surfers' new song on the just-released Romeo & Juliet
soundtrack. As Butthole-mania continues, the band reportedly arrived at a
big festival in Atlanta, only to find their gear had moved to Florida instead,
and on another occasion an enraged Paul Leary called 101X to scream at the
Whipping Boy ("author" of the Buttholes parody, "Paprika"), after which Gibby
Haynes called back to apologize for his bandmate's behavior. Now there's
a switch!... After another long dry spell, the November 14 Rolling
Stone comes jam-packed with Austin and Texas references, and of course, you
knew at least a couple would be Butthole-related. RS #747 takes off with
a "Random Note" on Haynes' offstage tsimmis with conservative columnist Betsy
Hart (she called him a "jerk" to which he replied "Oh, that's smart!") at their
Politically Incorrect taping, then goes on to ask Evan Dando to recount
his adventures in Gibby's "Nissan Crack Finder." The same page lists Billy
Gibbons' "Raves," which include G. Love & Special Sauce, Long John Hunter,
and the culinary treat known as Mopane Worms. There's also a feature on Larry
King, and though the King in question is the talk radio host, not the Texas
writer, the accompanying illustration gives you three opportunities to search
for Austinite Nina Hirschfield's name. Finally, a review of a Bob Mould show
(with Andrew Duplantis) in New York opens with the Sugar baron announcing to
the crowd that "It's good to be home!" Fine, Bob. Just be that way...
Mould is one of the judges in this year's Musician magazine "Best
Unsigned Band" competition, which means the Superego just may have a chance.
Also voting are Tori Amos, Joe Satriani, Vince Gill, and Buddy Guy (what a
supergroup they would make!) and if you're interested in entering, call their
toll-free line at 888/BUB-2WIN. By the way, Musician lists Sue Foley
among their "Ten Bands You Need to Hear in '97"... If you're wondering why the
Wallflowers cancelled their Liberty Lunch gig, wonder no more; the band managed
to get the musical guest spot on Saturday Night Live, and as we all
know, SNL's current viewership is nearly twice what they could've
fit into the Lunch. Looks like they'll miss seeing Randy "Biscuit" Turner's
in-progress, club-wide art display at the Lunch, which he says is dedicated to
the memory of Michael Jay Ciasullo, and will be up through the holidays. "It's
totally wailin'," says the artist... After only six weeks, Eric Johnson's
long-anticipated Venus Isle has dropped off the Billboard Top 200
chart. We'll have to wait and see if his label has any plans to resuscitate the
sinking Isle... A couple of in-stores: DJ Spooky haunts Waterloo Records
at 5pm on Hallowe'en, then Chris Wall performs there on Friday at the same
time... Just keep telling yourself, "It's a collector's item," if you finally
broke down and bought 81/2 Souvenirs album, Happy Feet,
recently. The disc has just been reissued in a new version that features three
new songs and new singer Juliana Sheffield... The Mouth Almighty of Wammo may
never be shut now that he's shown off in a large feature in the new
Billboard. Oh, and he's in the new Texas Monthly, too, which I
wouldn't have noticed if he hadn't called to boast... The recently formed,
self-described "Celtic bubblegum" act Sugar Frost have completed their first
album, entitled Smilebringer. That's scheduled for release "on the eve
of the Yule." Okay, so I made that last one up. So sue me...
-- Contributors: Raoul Hernandez, Andy Langer, Margaret Moser.