SXSW Film
Interviews and reviews
By Nora Ankrum, Fri., March 17, 2006
The Other Side
D: Bill Brown
Essay films can bore even the most well-intentioned audience: Meandering thoughts disconnected from the images onscreen just don't capture the attention like a straightforward story. But Bill Brown's The Other Side does just that. As he travels along the U.S./Mexico border, his musings, juxtapositions of historical and contemporary curiosities, and interviews with people along the way create the distinct feel of travel and illustrate how a narrative can naturally unfold along highways and backroads as you mull something over like, say, your thoughts on immigration without forcing the issue. Brown's visuals do equal justice to his travelogue: a time-lapsed shot of the desert topped by a sliver of sky, as Brown disappears into the impossible distance; Brown standing in front of an old Western set as costumed re-enactors perform a shootout around him; a prolonged shot of a modest fence separating California from Mexico, extending out into the ocean. The Other Side sticks in the imagination like a series of sun-bleached postcards, complete with scribblings on the back.
4:30pm, Dobie