Josh Rosenblatt

Obtaining a back-alley abortion in Romania proves to be rivetingly tense in this visually spare but assuredly virtuosic film.

Children of Abraham/Ibrahim 2: Films of the Middle East and North Africa

Martin Lawrence is remarkably subdued in this story about a successful professional who returns home to rural Georgia and discovers that his family still makes him feel like a petulant teenager.

John Sayles’ new drama is about life in a destitute African-American cotton-farming town in Jim Crow-era Alabama and the music that gave the region its mythology.

Diane Keaton, Katie Holmes, and Queen Latifah as janitors at the Federal Reserve who plot the "recycling" of currency that is pegged for destruction.

Woody Allen is still making movies at the rate of at least one a year. The problem is that he doesn’t make good movies at the rate of one a year.

Jack Nicholson and Morgan Freeman play characters who have only a short time to live. Promises, promises.

Take Two is the sequel to My First Movie, a collection of interviews with now-successful directors discussing their first feature films. Sexy subject aside, Cinema of Obsession barely even manages to simmer.

Apocalyptic monster mash makes big crash.

Woody Harrelson stars as a professional escort for political wives in this Paul Schrader movie about sex, murder, scandal, and adultery in Washington, D.C.

Gifts for Trekkies, Anglophiles, and arthouse obscurists

After a terrific start marked by the film's striking views of a desolate Manhattan island, Will Smith's mostly solo action movie devolves into a monster-movie malaise.