Split Screen and Nineties Indie Film

AFS celebrates John Pierson’s seminal IFC show


Split Screen

With its heavy emphasis on comedies like Portlandia, Documentary Now!, and Stan Against Evil, younger viewers might be surprised that the F in IFC stands for film. But when the Independent Film Channel first started broadcasting in 1994, that was all it did. These days, the cinematic side is admirably handled by its theatrical distribution wing IFC (currently promoting Ken Loach's I, Daniel Blake) and its horror sub-shingle IFC Midnight, the IFC cable channel has a heavier emphasis on episodic broadcasting.

But in 1997, it was Split Screen, the movie magazine show by producer John Pierson (a key figure in the early success of Michael Moore's Roger & Me, Kevin Smith's Clerks, and The Blair Witch Project) and future SXSW director Janet Pierson, that melded the two strands. Retrieved from the vaults late last year by FilmStruck through their Criterion Channel, Sunday sees a rare screening and reunion at the AFS Cinema of four episodes, plus a reunion for some of the series creators and subjects.

For four years, the series was ground zero for the indie film explosion of the late Nineties and early Aughts. Episode 1 opened with John – shaggy hair, big, round glasses – hanging out with Spike Lee in front of the old Bleecker Street Cinema, talking about changing the sign on the front and hunting mice in the back. It was the TV spin-off of Pierson's book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, allowing him and his cohorts and collaborators to further champion the indie scene. Not just talking about the creative successes but, as Pierson described it in the opening monologue, "warts and all, the art, the heart, and the enterprise of the American independent film."

Part of Split Screen's mission was to highlight cinema away from the big NYC/L.A. studio production hubs, and this weekend's selection dives straight into Austin's part of that legacy with Kyle Henry (Room, the upcoming Rogers Park), Elisabeth Sikes ("Weekend With Larry") and Bob Ray (Hell on Wheels) reminiscing with John about the episode from SXSW 1998. Janet Pierson will screen her examination of Vermont-based artist and filmmaker Miranda July (Me and You and Everyone We Know), plus filmmaker Bill Daniel (episode 19, "Selective Service System Story") and cowboy-turned-actor Barry Tubb (episode 17, "Lonesome Blood Trail") will attend to show and tell their stories.


Best of Split Screen With John Pierson

@AFS Cinema, Sunday, 5pm.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Split Screen
Goodbye to All That
Revisiting Kyle Henry's 'University Inc.' and a film community's cri de coeur

Kimberley Jones, Nov. 20, 2009

More John Pierson
Aural Education
John Pierson's Master Class airs on KUT

Kimberley Jones, July 30, 2010

Good News and Bad News
John Pierson's 'Spike Mike Reloaded'

Marc Savlov, April 23, 2004

More by Richard Whittaker
A grieving family messes with magick to bring back a loved one

May 16, 2025

Affordable Art, Cine Las Americas, Adult Books, and More Weekend Events
Recommended happenings for your calendar's enjoyment

May 16, 2025

KEYWORDS FOR THIS STORY

Split Screen, John Pierson, AFS, Spike Lee, Spike, Mike, Slackers, and Dykes

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle