Doctors' Mob, Wannabes

Live Shot

Doctors' Mob
Doctors' Mob (Photo By Felicia Graham)

Doctors' Mob, Wannabes

Hole in the Wall, June 1

There's nothing like a reunion show to make Austin feel half its size. Especially at a venerable spot like the Hole in the Wall, where the warm guitars and beer light pop songs of bands like Doctors' Mob and the Wannabes. Like their Minneapolis cousins in the Replacements, both these Austin mid-Eighties mainstays displayed audibly noble songwriting convictions, yet they were never above crash-landing a set with inappropriate cover songs after a pitcher or eight. Friday night's show didn't disappoint in either respect. The Wannabes drew heavily on 1990's Lucky Pierre, delivering a rousing rendition of "August," countered by a laughable, fall-apart ending on "Date With Bob." In the anthem-in-waiting file, "Bookstores and Restaurants" celebrated the apron-and-name-tag grind with equal amounts of piss and aplomb. The 'Bes finished with a well-chosen cover of INXS' "Don't Change" that left normally reserved grown men with no choice but to slam their pints and dance with uncoordinated abandon. Then Doctors' Mob took to the stage with a box of old CDs they were selling for the princely sum of $1 each. Opening with "Time's Up," the lead track from 1985's Headache Machine, the Mob played with a ferocity that bordered on hardcore before finally giving in to the genre's hypercaffeinated temptations with "Pat Blashill." They even duplicated the false starts from the recorded version of "Where I Live." Bassist Tim Swingle and drummer Glen Benavides were unmerciful as they pounded through the 20-year-old repertoire – landing most curves, missing a few, but giving no quarter regardless. When the ugly lights came on at closing time, the covers fusillade began with the Beatles' "She Said, She Said" and Aerosmith's "Sweet Emotion" before reaching a crowd-thinning nadir with Paul Revere's "Indian Reservation." It sucks to be the designated driver on a night like this.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Music Reviews
Review: Holy Wave, <i>Five of Cups</i>
Review: Holy Wave, Five of Cups
Five of Cups (Record Review)

Raoul Hernandez, Sept. 1, 2023

Review: The Bright Light Social Hour, <i>Emergency Leisure</i>
Review: The Bright Light Social Hour, Emergency Leisure
Emergency Leisure (Record Review)

Raoul Hernandez, Aug. 4, 2023

More by Greg Beets
Our Music Critics Pick Their Top 10 Austin Albums of 2018
Our Music Critics Pick Their Top 10 Austin Albums of 2018
80 local picks from Molly Burch to Brownout

Dec. 28, 2018

Our Music Critics Pick Their Top 10 Austin Albums of 2018
Our Music Critics Pick Their Top 10 Austin Albums of 2018
80 local picks from Molly Burch to Brownout

Dec. 28, 2018

KEYWORDS FOR THIS STORY

Doctors' Mob, Wannabes

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle