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"Acclaimed" won't do. "Legendary" is almost an understatement here. Where's that goddamn thesaurus? OK, never mind, just harken this-a-way: The author recently "drove the entire length of the US-Mexico border, then went deep into the hinterland, on the back roads of Chiapas and Oaxaca, to uncover the rich, layered world behind today’s brutal headlines." He'll tell you about it tonight.

That's right, Matt Bearden's legendary Tuesday night comedy showcase returns for another year of highlighting the best talent in town. Not sure who's on the lineup – it changes from week to week, of course, and is sharply curated – but there's always Bearden, of course, and a bunch of people who can make you laugh yourself to shambles. Word to the wise: This gig sells out like whoa, so reserve tickets early.

Feel like heading a little north, citizen? This statewide juried arts competition, organized by Georgetown Art Works, features exhibitions at the Georgetown Public Library and the Georgetown Art Center.

The willful self-destruction of humanity by Earth’s most formidable species – humans – is the topic of New Orleans-born and Dallas-raised photographer Tia Boyd. Through a series of portraits, Boyd reveals "a surviving race of godlike women warriors who have come to terraform the planet for future inhabitants." And here's our full review of the show.

Sara Madandar's new series of paintings takes its inspiration from Persian history, exploring how complex notions of gender and national identity have changed in Iran between the 19th and 20th centuries.

Yippee ki yay, space cadet, it's time to head 'em off at the Pass Nebula as the State History Museum presents an exhibition that spans more than 150 years of Western and science fiction history and features 100-plus artifacts (including props from Star Trek, Star Wars, Firefly, and other skiffy media fare). And our arch-geek himself, the estimable Richard Whittaker, also a part-time Sith Lord, reviews the show for you here.

Some artists try to capture their city, their geographical region, and they succeed at it. Only the best will ever succeed as well as Austin's John Mulvany does in capturing his Eastside neighborhood. Listen: "Everything in life is present in the neighborhood," says the artist. "If you are inclined to walk around with your eyes and senses open, you notice things you might otherwise miss. A dead grackle in the road, the unkempt beauty of East Austin backyards, the violent magenta-pink veil of cherry blossom enveloping a vacant house, a cockroach carried away by ants. This exhibition is an invitation to look closer. The neighborhood, like the natural world, is in a constant state of creation, transformation and decay." And this is precisely what you'll see, in Mulvany's array of realist, atmosphere-haunted paintings on the familiar grayDUCK walls. (See Barbara Purcell's review of the show right here.)

Here's an exhibition of original artwork based on Jewish themes and symbols, including mosaics, hamsa, and Zentangles, by Marvin Beleck, Marion Stoutner, Ginette Jordan, Martha Kull, and Susan Ribnick – also featuring reproductions of 18 mosaics honoring the victims of the shooting of the Pittsburgh Tree of Life or L'Simcha Congregation.

The LINE Residency's second artist-in-residence explores identity and what it means to be a black person living in modern America, developing a new series of large portraits of black women

McMakin brings us recontextualized furniture and untold (actually, very carefully quantified) numbers of coats of paint, with his "Two Bowls, a Cabinet Door, Two Tables, and a Window (with a Blue Wall)," and Keyser's got a new showcase of her vivid "Works on Paper."

This installation presents new work that expands Lily Cox-Richard’s research into the contextual history of materials, making visible unseen systems that dictate materials’ production, value, and use, and engages larger questions of natural resources, labor, the specifics of place, and the politics of viewership.

The complex relationship between contemporary art and anthropology shapes the subject of "The Sorcerer’s Burden: Contemporary Art and the Anthropological Turn," an 11-artist exhibition representing a wide range of media – including painting, sculpture, photography, video, and performance. And here's our own Robert Faires with a full review of the show.

Here's the 15th annual exhibition at Austin City Hall, presenting a wide array of painting, sculpture, drawing, and other media by 113 local artists. This year, the exhibition includes a special selection of photographs: The Bold Beauty Project of Texas, featuring images of Texas women with disabilities taken by photographers from across the state.

Explore the music of a composer who has had an extraordinary and unprecedented impact upon the musical and intellectual music of his times. This class will focus on the music of Glass' opera Akhnaten, about the Egyptian pharaoh of the same name. Note: The Metropolitan Opera will be broadcasting a live performance of Akhnaten on Saturday, Nov. 23, at the Arbor Cinema on Great Hills Trail, and you can attend this showing as an optional class event.

Will Klemm, a realist master of tone and texture in oils, was one of the first artists represented by Wally Workman back in the day. By this time he's revealed more than 50 solo exhibitions across the country. "My intention is to communicate something abstract and interior, while still referencing our everyday lives," says the artist. And now the Workman walls are filled, in image after image, with his sublime success in achieving that intention.

Preetika Rajgariah’s new exhibition is where culture, capitalism, and classism collide on the yoga mat, with the artist exploring – through sculpture, video, and performance – how this spiritual practice with deep roots in Hinduism has proliferated into nearly every part of American society.