Austin Playhouse's Shakespeare in Love

The Oscar-winning film makes a successful transition to the stage through Don Toner's marvelous production


Watching Will work: The cast of Shakespeare in Love (photo by Jess Hughes)

Most established theatre companies in Austin have a distinctive "voice" to their work, and Austin Playhouse is no exception. The source material for its current production, Shakespeare in Love, is, obviously, the screenplay of the same name by Marc Norman and Tom Stoppard, adapted for the stage by Lee Hall. Arguably, Stoppard's hand in that Academy Award-winning film is where it and Austin Playhouse's voice sync up; the company has a history of producing Stoppard, from his original works such as Arcadia, Travesties, and The Real Thing to his adaptation of Chekhov's The Seagull. It's a pairing that has worked quite well in the past and works extraordinarily well in the present.

While the stage version differs from the film in a few key areas – gone is the thread with Shakespeare, Rosaline, and the Master of Revels, for example – it keeps the story mostly intact. It's still the romantic comedy of lovelorn William Shakespeare experiencing in real time his own inspiration for Romeo and Juliet. (Also Twelfth Night, if we get down to it.) Where moments from the film that wouldn't work onstage are eliminated, they're replaced by moments that work as well as, if not better than, their screen counterparts. This version seems even more stuffed with Shakespearean references and Easter eggs than the film, with some jokes specifically for theatre nerds – during the audition scene, for example, an actor is asked for his "contemporary monologue," then launches into Faustus.

Fans of the film who are so familiar with it that they know not only its dialogue but also its rhythm and pacing will find some of the rhythm, pacing, and even line delivery here lifted straight from the film – director Don Toner and assistant director Lara Toner Haddock apparently having subscribed to the precept that if it ain't broke, don't fix it. When this does happen, however, it's not at all objectionable, and otherwise they helm a marvelous cast and crew through a production that is distinctively Austin Playhouse.

Having made his bones throughout the years at Austin Playhouse, Stephen Mercantel proves he can deftly carry a show as the Bard himself, full of all the brashness and bravado you'd expect from Billy Shakes, without channeling Joseph Fiennes. A powerhouse ensemble makes for plenty of stolen scenes, though, and J. Ben Wolfe as Ned Alleyn, leader of the Admiral's Men; Brian Coughlin as Lord Wessex; and Mary Agen Cox as Queen Elizabeth I all dominate any scene in which they're present. Also notable are Huck Huckaby's Fennyman, Bernadette Nason's Nurse, and Jason Newman's Kit Marlowe, who enjoys a rather expanded role in the stage version. And Claire Grasso (as per usual) gives a riveting and memorable performance as Viola de Lesseps, the fiery and ultimately otherwise betrothed love interest of Shakespeare, providing the inspiration for Juliet and, eventually, Viola in Twelfth Night.

The show is clearly meant for a larger space, and it's admirable how the design team has crammed within this wooden "O" the very casques that did affright the air at Aginc ... wait, wrong Shakespeare play, but you understand. Mike Toner's set is intuitively designed, yet simple enough to not crowd the playing space. The gondola scene is handled in a particularly creative way. Mark Novick's lights and Joel Mercado-See's sound design help to forge a perfect Elizabethan environment capped off by Buffy Manners' exquisite costume design. Toby Minor's fight choreography is vivid and vicious, though a bit nerve-racking given the small area in which swords are flashing about.

With so many movies turned into hit musicals in recent years, one might wonder whether that type of success could happen with a straight play. Though Shakespeare in Love's Mr. Fennyman might reply, "I don't know, it's a mystery," this production proves that it can, beyond a shadow of a doubt.

Shakespeare in Love

Austin Playhouse at ACC Highland campus, 6001 Airport, 512/476-0084
www.austinplayhouse.com
Through April 22
Running time: 2 hr., 30 min.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 36 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Austin Playhouse
Austin Playhouse's <i>The Immigrant</i>
Austin Playhouse’s The Immigrant
The company delivers a powerful and timely account of foreigners making a new home in the U.S.

Shanon Weaver, Jan. 12, 2018

Austin Playhouse’s <i>Miss Bennet: Christmas at Pemberley</i>
Austin Playhouse’s Miss Bennet: Christmas at Pemberley
In its rush to be fun, the show fails to tap all the potential of this rom-com sequel to Pride and Prejudice

Elizabeth Cobbe, Dec. 15, 2017

More Arts Reviews
Mary Moody Northen Theatre's <i>Violet</i>
Mary Moody Northen Theatre's Violet
In this moving production, a young woman learns the nature of true beauty and true love

T. Lynn Mikeska, April 20, 2018

<i>Latinauts: The Wrath of Juan</i> at ColdTowne
Latinauts: The Wrath of Juan at ColdTowne
Prima Doñas’ third installment of its popular “telenovela in space” delivers the laughs

Shanon Weaver, April 20, 2018

More by Shanon Weaver
Street Corner Arts' <i>Grounded</i>
Street Corner Arts' Grounded
Every element of this production works together to get us inside the head of a troubled military flyer

April 13, 2018

Review: <i>A Gentleman's Guide to Love & Murder</i>
A Gentleman's Guide to Love and Murder
Tony-winning musical serves pure stage magic & killer hilarity

March 22, 2018

KEYWORDS FOR THIS STORY

Austin Playhouse, Don Toner, Lara Toner Haddock, Stephen Mercantel, Claire Grasso, J. Ben Wolfe, Brian Coughlin, Mary Agen Cox, Bernadette Nason, Huck Huckaby, Jason Newman, Mike Toner, Mark Novick, Joel Mercado-See, Buffy Manners, Toby Minor

MORE IN THE ARCHIVES
NEWSLETTERS
AC Daily, Events and Promotions, Luvdoc Answers

Breaking news, recommended events, and more

Official Chronicle events, promotions, and giveaways

Updates for SXSW 2018

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle