Kieran R. Healy's Five Top-Drawer War Movies
Viva the Nam's co-creator talks about his inspirations
Fri., Jan. 22, 2010
Full Metal Jacket (1987): Probably the best film on the deconstruction of the human spirit by war that I've ever seen. The conflicting emotions of Joker as he does the "humane" thing at the end, and the camera sticking with him immediately following, just kills me.
The Hurt Locker (2008): Hands down the finest movie on post-9/11 warfare I have seen. I don't think there will be a better one. I had family come back from Iraq, see that movie, and say it was "real" – not just in action, but emotion. The power of this film is its intelligence and honesty. Incredible.
The Blue Max (1966): Pre-A-Team George Peppard, James Mason, Ursula Andress looking gorgeous. Incredible aerial photography, incredible cinematography. Intrigue, deception, and soldierly ambition. I wish more people knew about this movie.
Stalag 17 (1953): Beautiful cinematography, tightly written, and easily one of Billy Wilder's best movies, which makes it one of the best movies ever. Greatest "STFU" line to end a movie ever.