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Currently open by reservation only, yes, but you should have no reservations about seeing this stunning exhibition by Dallas native Lee Albert Hill. You want an eyeful of big, bright abstractions via acrylics on canvas over board, handwrought yet almost machinelike in their meticulous design and execution? You probably do, especially in this case. Because it's like … um … like if someone hired Mike Hinge and Bill Sienkewicz to show how well tangrams could be used to illustrate subatomic events from CERN's bubble chamber – and then threw a fistful of chaos shards at the collaboration's results. The accompanying image here is one miniaturized example; imagine seeing a roomful of such intricacies at full size. Hell, imagine scheduling a private viewing of this show with gallerist Troy Campa: That's some solid pandemic diversion right there, tell you what. (And your man Brenner rhapsodizes a bit further about it in this review.)

This is a group show by relay, begun in July of 2020 as a method of socially distancing a community in the height of the pandemic: Artists took turns alone in the space, each adding to the exhibition. Now, as it nears its close, the exhibition resembles a community in which work converses and overlaps. With Adreon Henry, Vy Ngo, Dawn Okoro, Leon Alesi, Matt Steinke, Sev Coursen, Stella Alesi, and more.

The local powerhouse of figurative painting, the art school that's the smart school for artists of all kinds, they've got a painting-along-at-home series going to help you keep your skills honed in these socially restrictive times, featuring live costumed models posing on camera and a thriving community of creatives rendering that lovely human biotecture from their separate studios. "Join us for a three-hour costumed-model drawing session. Use any supplies you wish, listen to music, share your work, chat with others. It’s a great way to stay connected with your art community!"

This show features images by activist photographers of the Civil Rights Movement, telling a visual story of the struggle against segregation, race-based disenfranchisement, and Jim Crow laws in the 1960s. These photos capture the day-to-day struggles of everyday citizens and their resolve in the face of violence and institutionalized discrimination – with more than a dozen additional images representing activism and protest in Austin's own history.

Inspired by the Mexican American Cultural Center's annual La Mujer celebration – and by the first feminist of the New World, Sor Juana Ines de la Cruz – this online group exhibit is curated by April Garcia and features womxn-identifying and nongender-specific artists whose artwork is tied to activism, feminism, cultural. and gender identity storytelling, environmental protection, and socioeconomic parity.

ColdTowne's new brick-and-mortar place is totally open, and who knows what they'll shake this city with next? But one truth remains: ColdTowne is a designated den of gold, baby, sweet comedy gold.

This second installment of the collection's online Vertual Solo series features the work of 15-year-old Austinite Twyla Rhode.

That's right! So make an appointment to check out this inventive array of creative work. (Note: Only five people allowed per appointment; no hugging, kissing, high-fiving, or even fist-bumping the gallerist.) But, look: Sarah Sudhoff's "Point of Origin" takes cues from the connections between sound and human emotion, here realized with suspended sculptures, sound installation, and debossed wall works that draw upon the artist's personal observations, cartography, and the mechanics of helicopters – especially those copters involved in the nearly 300 flights completed in just one month for Houston's Memorial Hermann Health System.

This new show by acclaimed photographer Kate Breakey is focused on specimens of the plant kingdom and reveals itself like a series of windows into arcane botanical memories.

This is Ray Donley's gallery of art by Native Americans, located in that company of artistic glory called Canopy and resplendent with creations from the original people of our struggling country.