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Currently open by reservation only, yes, but you should have no reservations about seeing this stunning exhibition by Dallas native Lee Albert Hill. You want an eyeful of big, bright abstractions via acrylics on canvas over board, handwrought yet almost machinelike in their meticulous design and execution? You probably do, especially in this case. Because it's like … um … like if someone hired Mike Hinge and Bill Sienkewicz to show how well tangrams could be used to illustrate subatomic events from CERN's bubble chamber – and then threw a fistful of chaos shards at the collaboration's results. The accompanying image here is one miniaturized example; imagine seeing a roomful of such intricacies at full size. Hell, imagine scheduling a private viewing of this show with gallerist Troy Campa: That's some solid pandemic diversion right there, tell you what. (And your man Brenner rhapsodizes a bit further about it in this review.)

That Austin epicenter of the printing arts presents a new exhibition of woodcuts by Ben Muñoz, featuring his series called The Endless Endeavor. These stunning woodcuts are 100-by-52-inches, the massive pieces communicating both in scale and content the idea of life being larger and much more than ourselves. Flatbed and Muñoz "are eager for the artist and individuals to talk about the content of his work one-on-one;" reserve your meeting with the artist for July 24 or July 25; other appointments for multigenerational groups of four or fewer can be scheduled here.

In advance of the upcoming Swec & Criscoe exhibition, ICOSA presents a series of front-window installations that are viewable 24 hours a day. "An imperfect show in imperfect times that recognizes our shortcomings and missteps, our pain, loneliness, and uncertainty, that aims to move forward carefully and intentionally. This work was made during the pandemic, but before the world exploded once again in response to the horrific murder of George Floyd, thrusting the world into a greater awareness of systemic racism and police brutality, and renewing energy and momentum in the fight for justice." Note: A portion of the proceeds from sales of the artworks will be donated to Six Square: Austin’s Black Cultural District.

Carl Hammoud’s exhibition of paintings was open for only a few short weeks before the COVID-19 lockdown; now the gallery's open again (limited capacity, masks required, appointments recommended) and you can still catch the show before it closes this weekend.

This is a group show by relay, begun in July of 2020 as a method of socially distancing a community in the height of the pandemic: Artists took turns alone in the space, each adding to the exhibition. Now, as it nears its close, the exhibition resembles a community in which work converses and overlaps. With Adreon Henry, Vy Ngo, Dawn Okoro, Leon Alesi, Matt Steinke, Sev Coursen, Stella Alesi, and more.

The Vortex presents a full evening of contemporary dance choreographies, curated by Sandie Donzica and created by international professional dancers. "We'll take you around the world starting in New York, going through Paris and Berlin, and coming back to Austin," says Donzica. "The pieces presented vary in length and subjects, but the recurring theme is the human experience in confinement."

Make an appointment, friend, and you can see these beauties in person. And if there's anything (aside from certain substances still criminalized by a failed system of law) that can elevate the senses and lighten the load, it's this bright collection of new works by Austin's Patrick Puckett. The artist's "large, bold canvases explore the human figure inspired by the artist’s life in the American South and often include symbolic references of both real and imagined nostalgia." And, we add, the downright Fauvist, polychrome exuberance of these paintings will likewise inspire your art-hungry eyes.

The local powerhouse of figurative painting, the art school that's the smart school for artists of all kinds, they've got a painting-along-at-home series going to help you keep your skills honed in these socially restrictive times, featuring live costumed models posing on camera and a thriving community of creatives rendering that lovely human biotecture from their separate studios. "Join us for a three-hour costumed-model drawing session. Use any supplies you wish, listen to music, share your work, chat with others. It’s a great way to stay connected with your art community!"

This show features images by activist photographers of the Civil Rights Movement, telling a visual story of the struggle against segregation, race-based disenfranchisement, and Jim Crow laws in the 1960s. These photos capture the day-to-day struggles of everyday citizens and their resolve in the face of violence and institutionalized discrimination – with more than a dozen additional images representing activism and protest in Austin's own history.

Yes, you have to make a reservation. Yes, it's totally worth it – because the Julia C. Butridge gallery in the Dougherty Arts Center reopens (in a limited manner, with social distancing and masks) with a show of work by three artists – Nora McMillen Burke, Jon Nelson, and Marianne Levy – and it's all worth feasting your peepers on. But we daresay it's Levy's "Grimm Re-Articulated," with its array of reimagined and stunningly sculpted fairytale characters and situations, that'll warp your dreams for months to come.

Inspired by the Mexican American Cultural Center's annual La Mujer celebration – and by the first feminist of the New World, Sor Juana Ines de la Cruz – this online group exhibit is curated by April Garcia and features womxn-identifying and nongender-specific artists whose artwork is tied to activism, feminism, cultural. and gender identity storytelling, environmental protection, and socioeconomic parity.

ColdTowne's new brick-and-mortar place is totally open, and who knows what they'll shake this city with next? But one truth remains: ColdTowne is a designated den of gold, baby, sweet comedy gold.

This second installment of the collection's online Vertual Solo series features the work of 15-year-old Austinite Twyla Rhode.

That's right! So make an appointment to check out this inventive array of creative work. (Note: Only five people allowed per appointment; no hugging, kissing, high-fiving, or even fist-bumping the gallerist.) But, look: Sarah Sudhoff's "Point of Origin" takes cues from the connections between sound and human emotion, here realized with suspended sculptures, sound installation, and debossed wall works that draw upon the artist's personal observations, cartography, and the mechanics of helicopters – especially those copters involved in the nearly 300 flights completed in just one month for Houston's Memorial Hermann Health System.

This is Ray Donley's gallery of art by Native Americans, located in that company of artistic glory called Canopy and resplendent with creations from the original people of our struggling country.