FF2012: 'The King of Pigs'

And you thought your schooldays were hellish

FF2012: 'The King of Pigs'

Say what you want about animation being a flimsy to convey mature themes and imagery that, pre-CGI, would have been impossible to adequately capture on traditional film. The King of Pigs can take it and dish it out...and dish it out...and dish it out.

Actually, no one's really trash talking animation of any kind since Pixar entered the ring, and prior to that Satoshi Kon, Katsuhiro Otomo, and, natch, Hiyao Miyazaki. Asian anime dispensed with Disney-esque niceties early on and cut to the chase, gleefully wallowing in often ultra-adult ideas and fluidly vital visions (and in the porny subgenre hentai images so adult that they auto-erotically reverted to a creepy infantilism).

Consider all that as nothing -- well, not nothing, but less than you thought -- when compared to the rampant cultural nihilism woven throughout Yeun Sang-ho's first pitch-black feature. On the face of it, The King of Pigs is the story to two old friends (allies, really) who reunite to reminisce about their inglorious days of being wild. Reminisce isn't the right word for the vituperative revelations that follow: both Hwang Kyung-min (Oh Jung-se) and Jung Jong-suk (Yang Ik-june) were and are the victims and then perpetrators of bullying at school and beyond.

Kyung-min has just butchered his wife as the film opens, and after he meets up with Jong-suk, the roots of their mutually explored torments is traced back through their adult years to childhood, when both were stooping on the bottom rung of the high school clique-ladder (and thus were "pigs) while struggling to stay away from or at least limit the abuse by the top-tiered social strata, the "dogs."

The titular "king" was the lowly, psychotically-inclined Kim Chul-yi (Kim Hye-na), a fiercely lunatic outsider in a band of misfits who stood up to the vaguely feudal caste system and thereby scarred everyone involved. Yeun Sang-ho's animation is all the myriad shadings of woe combined; it's a hypnotic yellow-brown palette that oozes depression and resignation in equal amounts. That said, it's also a damning portrait of South Korea, and the cyclical violence that leeches from the past forwards, poisoning the present and obliterating the future.

Fantastic Fest presents The King of Pigs, D: Yeun Sang-ho, 97 mins. Tuesday, Sept 25, 12:10pm

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More FF2012
Everything Went Black: Why Fantastic Fest is as Fantastic As it Is
Everything Went Black: Why Fantastic Fest is as Fantastic As it Is
The best place to recalibrate your cinematic soul

Marc Savlov, Sept. 27, 2012

FF2012: 'Aftershock'
FF2012: 'Aftershock'
Much more realistic than 'Last Night at the Alamo'

Marc Savlov, Sept. 26, 2012

More by Marc Savlov
Remembering James “Prince” Hughes, Atomic City Owner and Austin Punk Luminary
Remembering James “Prince” Hughes, Atomic City Owner and Austin Punk Luminary
The Prince is dead, long live the Prince

Aug. 7, 2022

Green Ghost and the Masters of the Stone
Texas-made luchadores-meets-wire-fu playful adventure

April 29, 2022

KEYWORDS FOR THIS POST

FF2012, The King of Pigs, Fantastic Fest 2012

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle