Tool Returns to Texas with the Antidote for Fear

San Antonio show comes two years after pre-pandemic ATX appearance

Maynard James Keenan of Tool performing in San Antonio on Wednesday. (Photo by David Brendan Hall)

COVID, it seems, has proved no match for the mighty Tool.

Just over two years have passed since they last landed in Central Texas and, despite 57-year-old vocalist Maynard James Keenan’s two bouts with COVID-19 in the interim, the singer’s voice and band’s chops sounded just as (if not more) formidable on Wednesday night at San Antonio’s AT&T Center than they did at their Frank Erwin Center show, which took place roughly six weeks before lockdown ground their tour to a halt.

Tool. (Photo by David Brendan Hall)

Given that the band’s fans are devout enough to see them any chance they get near their home markets, it’s likely many of them also attended the Austin gig and would attest to that comparison. It was reflected throughout the two-hour show in their palpable exuberance, amplified by Maynard & Co. opting to play an entirely different set of older tunes this go-round, filling the gaps between cuts off latest full-length Fear Inoculum.

Standouts included an extended version of ’92 track “Opiate,” which took full advantage of the mind-bending visual accompaniment projected onto a semicircular curtain that enshrouded the band during the first few songs; a hat trick of less-obvious heavy-hitters off 2001’s Lateralus (“The Grudge,” “Eon Blue Apocalypse” and “The Patient”); and the sonic epic from 1996’s Ænima, “Hooker With a Penis,” to close the main set.

Adam Jones of Tool. (Photo by David Brendan Hall)

Still, the show was loaded with material off Fear Inoculum, and rightly so considering the meaning of the album title relative to the state of the world. A rough translation is an antidote to fear, and this night’s unbridled exchange of catharsis between performers and fans perfectly embodied that concept. Amidst the current climate of trepidation refueled by Omicron’s recent surge, Tool harnessed their heavy yet uplifting spectacle to offer a glimpse of unified resilience, something that the live music community in particular needs now more than ever.

Set list:

Fear Inoculum
Opiate
The Pot
Pushit
Pneuma
The Grudge
Eon Blue Apocalypse
The Patient
Descending
Hooker With a Penis

Intermission
Chocolate Chip Trip
Culling Voices
Invincible

Tool's Danny Carey. (Photo by David Brendan Hall)

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Tool
Tool Asphyxiates the Erwin Center
Tool Asphyxiates the Erwin Center
“Supposedly, Austin,” announced Keenan. “Work on it”

Alejandra Ramirez, Jan. 22, 2020

Heaven & Hell
Heaven & Hell
Wovenhand and Tool at the Cedar Park Center

Austin Powell, June 24, 2010

More by David Brendan Hall
For Paul Simon, a Quiet Celebration Still Resounds
For Paul Simon, a Quiet Celebration Still Resounds
Songwriter’s Bass Concert Hall residency is subdued yet profound

April 9, 2025

Jack White Tears Into Austin With a Show at Mohawk, and a Surprise Performance at Contintental Club
Jack White Tears Into Austin With a Show at Mohawk, and a Surprise Performance at Contintental Club
Rocker delivers intimate sets in ATX, promising two more in 2025

Nov. 15, 2024

KEYWORDS FOR THIS POST

Tool, Maynard James Keenan

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle