Fusebox Festival 2017

Revolutionaries, robots, and dam dancing, oh my!


Climax of the Next Scene

And then there were five.

Five days in which to get your yearly charge of experimental performance and art at the Fusebox Festival. Now in its 13th year, the fest has a typically electrifying feast of interdisciplinary arts on its 2017 schedule, e.g.:

• Chamber opera Pancho Villa From a Safe Distance fuses music by Graham Reynolds with a libretto from Mexican theatre collective Lagartijas Tiradas al Sol and additional lyrics by poet Carrie Fountain to explore the biography and mythos of the revolutionary, embodied by tenor Paul Sanchez. Directed by Shawn Sides, with Adrian Quesada on guitar;

Potential uses Mansfield Dam as a setting to look at the possibilities of power and energy through dance created by Rosalyn Nasky, live percussion by the ensemble line upon line, and lighting by Natalie George;

Climax of the Next Scene offers a chance to see how Teletubbies might fare inside the world of Grand Theft Auto, as Korean artist Jisun Kim investigates the effects of violence without consequence in video gaming;

Meeting places two dancers in a space with 64 robotic percussion instruments for a match of man and machine. Choreographer Antony Hamilton provides movement for the former, while Alisdair Macindoe contributes the sound by the latter; and

Noplace by Matthew Steinke involves more robotic instruments playing in sync with MIDI-automated appliances, found recordings, tiny animatronic sculptures, and DIY projectors.

The festival hub, where Fuseboxers can meet nightly to connect with one another and fest artists, is dubbed Al Volta's Midnight Bar, but it shares the same physical space and address as Austin Saengerrunde Hall, 1607 San Jacinto. In addition to conversation, Al Volta's will feature curated food and drink, free bowling, a cardboard fort night, a DJ set by Maria Chávez, and performances from Paul Soileau, Francine Thirteen, Silky Shoemaker, and Joseph Keckler.

Those are just a fraction of the wonders awaiting you, and once again, Fusebox will be free to attend, under the Free Range Art initiative. Reservations for festival events can be made at www.fuseboxfestival.com.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Fusebox Festival
Fairgrounds and Festivus at the Fusebash Fundraiser
Fairgrounds and Festivus at the Fusebash Fundraiser
Carnival-themed event will help keep the Fusebox Festival free

Sheryl Lawrence, Feb. 18, 2022

Texas Performing Arts and Fusebox Make Space to Create
Texas Performing Arts and Fusebox Make Space to Create
The two organizations partner on a residency program to support Austin artists making adventurous new work

Robert Faires, Sept. 4, 2020

More by Robert Faires
Last Bow of an Accidental Critic
Last Bow of an Accidental Critic
Lessons and surprises from a career that shouldn’t have been

Sept. 24, 2021

"Daniel Johnston: I Live My Broken Dreams" Tells the Story of an Artist
The first-ever museum exhibition of Daniel Johnston's work digs deep into the man, the myths

Sept. 17, 2021

KEYWORDS FOR THIS STORY

Fusebox Festival, Graham Reynolds, Lagartijas Tiradas al Sol, Paul Sanchez, Shawn Sides, Adrian Quesada, Rosalyn Nasky, line upon line percussion, Natalie George, Jisun Kim, Antony Hamilton, Alisdair Macindoe, Matthew Steinke, Paul Soileau, Silky Shoemaker, Francine Thirteen, Joseph Keckler

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle