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Karen Sneed’s staging is shot through with compassion for the play’s hard-luck, hard-drinking Irishmen

With strong direction and a fine cast, City Theatre's revival of the jury-room drama of the 1950s feels very contemporary

While director Karen Sneed's vision for this Moliere comedy is clear, it's not always consistently presented

City Theatre digs into the ancient Greek tragedy with a wink at antiquated gender politics

A racing pace and broad acting don't always serve Noël Coward's urbane comedy

Different Stages' production of Molly Sweeney is a restrained and elegant parable through which we come to see the beauty in not seeing

Onstage Theatre Company's production of Crimes of the Heart focuses on the relationships among Beth Henley's small-town Southerners and describes them simply, truly, and beautifully

The air’s a tad thin in this production of Oscar Wilde’s work

City Theatre's revival suffers from being neither a replica of the original nor a fresh interpretation

City Theatre's satire can't decide what – or when – it wants to be

A perfect measure of schadenfreude on the rocks, with an angst chaser

Latest ACoT theatre-award nominations favor two Austin musicals

Austin Critics Table nominations, 2004-2005

Trying to find ways to make art while sustaining a family is no easy road.

Getting Specific About Age in subUrbia and Hot Flash!

Different Stages' latest attempt at a theatrical answer to a good, cheap summer beach novel, J. B. Priestly's 1932 mystery Dangerous Corner, isn't much fun. It's full of unsympathetic characters rendered in a flat and melodramatic style.

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