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This new play by debbie tucker green is the inaugural production for Horizon Line Theatre. Directed by Chuck Ney, it's a provocative and darkly humorous show that focuses on the aftermath of one woman’s violent attack and how it has destroyed her life and her family, and it stars Nadine Mozon, Barbara Chisholm, and (yes, Chronicle Arts Editor) Robert Faires.

Feel like heading a little north, citizen? This statewide juried arts competition, organized by Georgetown Art Works, features exhibitions at the Georgetown Public Library and the Georgetown Art Center.

Jane Hervey of #bossbabesATX leads this goal-mapping exercise, intended to help attendees identify their own values, mission, resources, and needs.

The author's second anthology of poetry and prose builds on the wisdom of her bestselling book Heart Talk.

Sara Madandar's new series of paintings takes its inspiration from Persian history, exploring how complex notions of gender and national identity have changed in Iran between the 19th and 20th centuries.

Yippee ki yay, space cadet, it's time to head 'em off at the Pass Nebula as the State History Museum presents an exhibition that spans more than 150 years of Western and science fiction history and features 100-plus artifacts (including props from Star Trek, Star Wars, Firefly, and other skiffy media fare). And our arch-geek himself, the estimable Richard Whittaker, also a part-time Sith Lord, reviews the show for you here.

This new adaptation of Bram Stoker’s classic vampire tale is a sensual fantasy with a surprising twist: a bold heroine who dares to defy the ruler of the night. "Seductive, romantic, and empowering, this foray to the dark side is a juicy date-night," we're advised – and that seems, yup, just about right. Written and directed by Steven Dietz for Zach Theatre, with a kickass cast featuring Sarah Kimberly Becker as Mina Harker and Keith Contreras-McDonald as the titular bloodsucker.

20 million years ago, two supernovae collided – causing ripples in the very fabric of space-time. 20 million years later, generative artist James Pricer created cataclysmic portraits of this event using the actual gravitational wave data. The exhibition features a box set of eight gravitational wave prints, a collision video, two unique explosion prints, and several generative objects.

Some artists try to capture their city, their geographical region, and they succeed at it. Only the best will ever succeed as well as Austin's John Mulvany does in capturing his Eastside neighborhood. Listen: "Everything in life is present in the neighborhood," says the artist. "If you are inclined to walk around with your eyes and senses open, you notice things you might otherwise miss. A dead grackle in the road, the unkempt beauty of East Austin backyards, the violent magenta-pink veil of cherry blossom enveloping a vacant house, a cockroach carried away by ants. This exhibition is an invitation to look closer. The neighborhood, like the natural world, is in a constant state of creation, transformation and decay." And this is precisely what you'll see, in Mulvany's array of realist, atmosphere-haunted paintings on the familiar grayDUCK walls. (See Barbara Purcell's review of the show right here.)

The author presents her new book at St. Ed's.

Here's an exhibition of original artwork based on Jewish themes and symbols, including mosaics, hamsa, and Zentangles, by Marvin Beleck, Marion Stoutner, Ginette Jordan, Martha Kull, and Susan Ribnick – also featuring reproductions of 18 mosaics honoring the victims of the shooting of the Pittsburgh Tree of Life or L'Simcha Congregation.

McMakin brings us recontextualized furniture and untold (actually, very carefully quantified) numbers of coats of paint, with his "Two Bowls, a Cabinet Door, Two Tables, and a Window (with a Blue Wall)," and Keyser's got a new showcase of her vivid "Works on Paper."

Manchester-born Kevin Cummins has an international reputation as one of the world’s leading photographers and is famed for his portraits of musicians, including Joy Division, New Order, David Bowie, Nick Cave, Mick Jagger, Patti Smith, and Oasis. This weekend, Modern Rocks Gallery (now in its fifth year) launches the photographer’s first retrospective show in the United States, featuring his most iconic images.

This installation presents new work that expands Lily Cox-Richard’s research into the contextual history of materials, making visible unseen systems that dictate materials’ production, value, and use, and engages larger questions of natural resources, labor, the specifics of place, and the politics of viewership.

The complex relationship between contemporary art and anthropology shapes the subject of "The Sorcerer’s Burden: Contemporary Art and the Anthropological Turn," an 11-artist exhibition representing a wide range of media – including painting, sculpture, photography, video, and performance. And here's our own Robert Faires with a full review of the show.

Here's the 15th annual exhibition at Austin City Hall, presenting a wide array of painting, sculpture, drawing, and other media by 113 local artists. This year, the exhibition includes a special selection of photographs: The Bold Beauty Project of Texas, featuring images of Texas women with disabilities taken by photographers from across the state.

Yeah, no, this is a monumental showing of work – including a series of paintings commissioned for the exhibition – by one of the best, most provocative artists working on this planet. The former Austinite (he taught at UT for 20 years) Michael Ray Charles "is known for art that investigates the legacy of historic racial stereotypes of African Americans. Since the 1990s, he's created complex, layered paintings that challenge stereotypes, power dynamics, and social and cultural hierarchies." Ah, words can't even – but our Arts Editor Robert Faires offers a fine preview right here.

Will Klemm, a realist master of tone and texture in oils, was one of the first artists represented by Wally Workman back in the day. By this time he's revealed more than 50 solo exhibitions across the country. "My intention is to communicate something abstract and interior, while still referencing our everyday lives," says the artist. And now the Workman walls are filled, in image after image, with his sublime success in achieving that intention.

Preetika Rajgariah’s new exhibition is where culture, capitalism, and classism collide on the yoga mat, with the artist exploring – through sculpture, video, and performance – how this spiritual practice with deep roots in Hinduism has proliferated into nearly every part of American society.