Each of
Shana Hoehn's large sculptures consists of two women, either as a double or camouflaged in one form through double imagery, inspired by the sexualized female archetypes sourced from ship figureheads, hood ornaments, carnival portraiture, pinups painted on WWII aircraft, and horror films. Note: The
Chronicle's Robert Faires recently paid a visit to the gallery, and
this is his response to the show.
Through Sept. 5