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Hoo-wee! Does anything feel better than a dip in the pool during a hot Texas summer? While some among us may be privileged to own private watering holes, most of us get to enjoy the great Austin PARD’s work at the 44 public aquatic facilities to choose from this summer. You’ve got regional, neighborhood, and community pools; a wading pool; splash pads; and the crown jewel: Barton Springs. Check austintexas.gov/pools-splashpads for up-to-date info on which pools are open, what their entry fee is, and whether you have what it takes to be a public pool lifeguard. Now, outta the way if you don’t wanna get wet: I’m gonna do a cannonball! – James Scott

How long does it take to become legendary? There’s no real answer, but local kiki houses Lepore and Juicy Couture have brought legend status to first Thursdays in just about two years. Tonight they celebrate this anniversary with a mini ball presented by sexual health heavy-hitters ASHwell and the Q Austin, meaning there’s money, honey. Competitors can win up to 150 bucks in ballroom categories like Majorette and Sex Siren. Legendary Akasha and BabiBoi Juicy are in the DJ booth, and the legendary Natalie Lepore is your master of ceremonies. –James Scott

Thanks to Seventies funk band War, the word “lowrider” often calls to mind the unforgettable sax riff of the band’s 1975 No. 1 single. But lowrider can mean a snazzy customized car with hydraulics or a person who works on such a vehicle, and the culture around these cars has strengthened Mexican American communities in the Southwest since the Forties. Learn more about them at this exhibit featuring an interactive touchscreen mural, cars and bikes on display, and stories about the people who make lowriding a community. A member reception takes place May 18. – Kat McNevins

We’re in that liminal space of summer, where life is lush and blooming, right before it succumbs to death by heat. Big Medium’s curator Coka Treviño has collected an exhibit full of garden scenes representing that magical explosion of garden growth. In her own words, it’s a way “to forget how heavy it feels to be a human.” There’s constant discovery in the wide variety of works, from dozens of artists like the established Dawn Okoro and up-and-comers MuthaGoose. Join the opening reception this Friday to view interpretations of glorious greenery. – Cat McCarrey

Carole King is one of those once-in-a-generation songwriters, the kind who absolutely deserves not just a jukebox musical, but this type of theatrical biography on stage. A lot of folks know her seminal album Tapestry and her collaboration with longtime platonic soulmate James Taylor. But she had a thriving songwriting career beforehand. Beautiful tracks her stunning girl group anthems (“One Fine Day” or “Loco-Motion,” anyone?) and her fraught relationships with male collaborators. Can they keep this “natural woman” down? Of course not, but watch her rise while grooving to King’s victorious anthems.

Taylor Davis might have the coolest job description I’ve ever heard. She’s an independent curator (dream) and a landscape designer. So basically, she finds beauty in everything she touches. For “Bending Light,” Davis has accumulated work by four BIPOC artists, multidisciplinary masters “illuminating the nuanced experiences and collective memories of queerness and femininity in Black cultural production,” to quote the exhibit description. A weighty task, but one the artists – Kaima Marie Akarue, Ciara Elle Bryant, Catherine Martinez, and Chandrika Metivier – pull off with fascinating aplomb. Through mediums including but not limited to sculpture, video, collage, and photos, the viewer glimpses unique experiences. It’s a fresh reflection of this world. – Cat McCarrey

That's right: Cap City Comedy Club, the longtime cornerstone of Austin's comedy scene for nearly four decades is at a new venue in the Domain. And here's Valerie Lopez with a closer look at what's in store for the scene via the venue. Click for details!

Traveling in Mexico, you frequently encounter changarritos – portable food carts or tienditas run by hardworking entrepreneurs. The carts usually operate outside of any formal regulation and, in that way, mirror the resilience and creativity of Mexican culture. In 2005, artist Máximo González appropriated the concept of the changarrito as a way for artists to take their work directly to the people. The idea came to Austin’s venerable Mexic-Arte Museum in 2012, with dozens of artists displaying art and interacting with the public outside the Downtown gallery. The concept is back and will run through August. – Brant Bingamon