It's official. Roger Ebert, the longtime film critic and co-host of the syndicated series, At the Movies, has decided to leave the show after 23 years. Ebert made the announcement on his website yesterday.

Ebert started the series with Gene Siskel and hobbled along solo for a while following Siskel's death in 1999. Others auditioned for the vacant chair left by Siskel – including local Internet film geek Harry Knowles of Ain't It Cool News. The search ended with the decidedly safe selection of Richard Roeper. The sparks between Roeper and Ebert never reached the intensity that Ebert and Siskel reached. That pairing was the best thing to happen to films, I think. Watching Siskel and Ebert spar over a film was like waiting to see who would throw the first punch. That's how adamant, devoted, and, well, cocky they each were. But it wasn't just cocky for their need to preen – you really got the sense that they each thought film was a vital part of expressive culture and they were devoted to honoring, celebrating, and defending it.

In later years, Ebert's own health problems curtailed his appearances on the series. While no one is saying, it's hard not to wonder if Ebert's health issues precipitated the final separation from the show.

As it turns out Roeper is leaving At the Movies as well. Couldn't hammer out a new contract with Disney-ABC Domestic Television. He leaves the show after eight years.

At the Movies will continue with new hosts Ben Lyons and Ben Mankiewicz, according to Variety.com. Lyons has covered film and entertainment online and on TV for E!, MTV, Access Hollywood, and TMZ. Mankiewicz is the more seasoned of the pair, known for his satellite radio program "The Young Turks." He was recently named the new daytime, weekend host for TCM (Turner Classic Movies) and begins that gig in September. And yes, he is one of those Mankiewicz's -- the grandson of writer Herman Mankiewicz and great-nephew of director Joseph L. Mankiewicz. Citizen Kane (1941), All About Eve (1950), Guys and Dolls (1955), The Pride of the Yankees (1942), Dinner at Eight (1933) and Cleopatra (1963) are a few of the films that have the Mankiewicz name attached to them.

Along with new hosts, At the Movies is going for a newer, fresher look. No word on when the new rendition of the series will launch.

The first (and only) time I met movie reviewer/critic Elvis Mitchell, I was so tongue-tied that I said something doofy – so doofy that I’ve blocked it from my memory. After this cringy experience, there is something comforting in seeing Mr. Mitchell appear somewhat starry-eyed in his very own one-on-one interview show, Elvis Mitchell: Under the Influence on TCM (Turner Classic Movies). For those familiar with Mitchell from NPR, he brings the same genial and erudite approach to this chat show, but this one focuses on a solitary guest. Sidney Pollack and Bill Murray were early guests. Laurence Fishburne and Quentin Tarantino are on deck.

What makes this show so engaging is that Mitchell is thoroughly prepared (as usual), yet does not sound so rehearsed as to make the conversation wooden (my only complaint with James Lipton, who hosts Inside the Actors’ Studio on Bravo). As each guest talks about his favorite films, clips and stills are shown when possible, giving some extra oomph to the chat, and giving some intriguing insight into how the guest/artist thinks. This is not an overview of the guest’s career (as in Actor’s Studio); it’s an overview of the films he saw, the actors, writers, and directors he admired, and how he works in the present day “under the influence” of those works.

Missed the Pollack interview. The first episode I happened upon featured Bill Murray. I’m ambivalent about Murray, but I found myself mesmerized by his interview — so much so, I watched the episode twice! That’s a rare occurrence for someone who rarely watches anything live and erases episodes as the credits are rolling. I wasn’t so surprised that Murray was a Marx Brothers fan and admired Cary Grant’s versatility, but hearing that he got weak-kneed over funny women (Gilda Radner made him swoon) was downright endearing.

Only a handful of episodes are scheduled, according to the TCM website. Hopefully, many, many more are on their way. Elvis Mitchell: Under the Influence airs Mondays at 7pm on TCM. Encores occur at 9:30pm.

Richard Roeper has made it official: He's leaving At the Movies with Ebert & Roeper after eight years. It really never was the same without Roger Ebert. For that mater, it was never the same without Gene Siskel. There was something about the way the two grated on each other. It was easy to choose sides. Siskel was too mean; Ebert was too soft. But they were the guys whose opinions about movies were both entertaining and realistic. We could trust their opinions to be consistent. That counts for a lot. Roeper seemingly knew he was a pale replacement for the late Siskel. Now with Roeper gone and Ebert likely never to return to the screen after prolonged illnesses and surgeries, it's time to face facts. The show is dead. Thanks, guys, for all the fun.

Apple's got a fancy new trailer for In Search of a Midnight Kiss up, and I highly recommend you go check it out right-this-very-second, and then thrum your fingers anxiously until IFC Films finally announces an Austin release date. (It opens in New York and L.A. on August 1.) In Search... is the third feature from former Austinite Alex Holdridge, and it's been getting massive buzz since it premiered at Tribeca in 2007. (It also screened at last year's Austin Film Festival, a place near and dear to Holdridge's heart as he won the Audience Award in 2001 for his first feature, Wrong Numbers). In Search... is terrifically funny and bawdy and romantic and angsty and makes Los Angeles look like a million bucks – on a shoestring budget no less. I watched my preview screener so many times it won't play anymore.

"Dees Condorman – he is not agent of CIA. He is writer of comic book!" Last night's Film Fight Happy Hour, film screening, prize giveaway, etc., was a lovely time all around – and thank you to the equally lovely people at the Art Authority for making it happen. I will say this – I know now that the fastest way to clear a room is to show a giggling Eighties kids' flick about mistaken identity and KGB spies. Whatever – it ruled. And hats off to those five or so people who actually sat through the whole thing. We'll announce next month's Film Fight topic in the next couple of weeks, so keep checking back in.

By most accounts, the video-game conference nonpareil, E3, has been a wash this year. Resident Evil 5, Gears of War 2, etc., etc. all met expectations, although I would have enjoyed them just as much during my usual clicks around IGN.com.

So, why bother wasting your precious blog-reading time? Because in case you didn't feel the shift in the Dark Side of the Force toward the west, Rick Perry was in LA for E3 to remind everybody that Texas is handing out money to gaming firms who are willing to brave the unrelenting heat. Heat that is clearly getting to Perry's head as he uttered groaners like, "I congratulate this growing industry on its success, and invite further expansion in Texas where the barbecue is hot and the video gaming is even hotter." Ugh!

Last week was all brawl, but this week, in the spirit of reconciliation (and, well, spirits at Happy Hour pricing), Josh "Lickin' His Wounds" Rosenblatt and I will be hosting a get-together at the United States Art Authority. I suppose we might talk about comic book movies some more, but honestly, neither one of us wants to go anywhere the subject ever again (or at least until the lines for Batman: The Dark Knight thin out some). So join us tomorrow night (Thursday, July 17) at 7pm at the Art Authority (2908 Fruth St.) for good drinks and good company, some prize giveaways, and (fingers crossed) a very special cinematic treat.**

Well, if the numbers hold, it looks like I'll be doing a victory lap at the Art Authority next Thursday, but who knows – maybe your troops will rally over the weekend. The polls will be open until Sunday at midnight, but as for you and me and this crazy experiment we call Film Fight goes – I think we're done. At least until we start all over again next month. What's your prize, you ask? (I'm sorry, for losing?) This press release arrived in my in-box a few days ago: "A DEFINITIVE ANTHOLOGY FROM THE MASTER OF SUSPENSE: THE ALFRED HITCHCOCK PREMIERE COLLECTION." You get to sit and watch all 8 discs with me. Punishment in your mind, maybe, but just you wait – I'll make a believer of you yet. It's been a pleasure.

From the archives: June 20, 2008 From: Kim Jones To: Josh Rosenblatt Re: First Film-Fight Topic Resolved: Kimberley Jones is a rank sentimentalist Pro: Josh Con: Kim So what's my prize? I'm hoping for a bowlful of chocolate-covered Brussels sprouts. Or the 32-DVD set of the Complete Works of Alfred Hitchcock. Though I'd settle for a signed copy of Limahl's Greatest Hits. It's been a pleasure fightin' you. How's this for next month's topic: Resolved: Yasujiro Ozu's use of mise en scene in the early 1950s was as much an aesthetic response to innovations in color cinematography in the work of Sergei Eisenstein as it was a reaction to the encroaching tides of Western colonialism in post-war Japan. I'd like to see you argue against that one.